Movie Reviews by Mauro_Lanari - Page 7 of 34

121-140 of 665 Reviews

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Review of Luckiest Girl Alive (2022)

By Mauro_Lanari (665) on 09 Nov 2022

(Mauro Lanari) Selective feminism for female readers of The New York Times…

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Review of Where the Crawdads Sing (2022)

By Mauro_Lanari (665) on 04 Nov 2022

(Mauro Lanari) Transposition of a commoner U.S…

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Review of The Greatest Beer Run Ever (2022)

By Mauro_Lanari (665) on 02 Nov 2022

(Mauro Lanari) Flavorless cocktail dramedy, Peter Farrelly makes his Forrest Gump take a journey neither funny nor cathartic…

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Review of All Quiet on the Western Front (2022)

By Mauro_Lanari (665) on 30 Oct 2022

(Mauro Lanari) Nothing new on the cinematographic front…

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Review of Barbarian (2022)

By Mauro_Lanari (665) on 29 Oct 2022

(Mauro Lanari) If one grew up appreciating the authors of the past millennium, those who with the code of horror cinema spoke to us loud and…

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Review of The Good Nurse (2022)

By Mauro_Lanari (665) on 29 Oct 2022

(Mauro Lanari) A true story that deserved to be known and told but that, produced by Aronofsky, runs the risk of havin' to be interpreted as…

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Review of Don't Worry Darling (2022)

By Mauro_Lanari (665) on 28 Oct 2022

(Mauro Lanari) Someone should explain to Thirteen the difference between alternative society (Westworld [Crichton 1973], Logan's Run [Anderson…

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Review of Emily the Criminal (2022)

By Mauro_Lanari (665) on 27 Oct 2022

(Mauro Lanari) What would be the reason for the enthusiasm for this directorial debut, which for most of the time disguises itself as a French…

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Review of Shattered (2022)

By Mauro_Lanari (665) on 23 Oct 2022

(Mauro Lanari) Produced by Malkovich, a home invasion drama that insults the intelligence of both the protagonist who attended MIT, and the…

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Review of Raymond & Ray (2022)

By Mauro_Lanari (665) on 23 Oct 2022

(Mauro Lanari) Produced by Cuarón, a dark dramedy not cathartic or compelling enough to compensate for a bluesy and jazzy narrative…

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Review of Shattered (2022)

By Mauro_Lanari (665) on 23 Oct 2022

(Mauro Lanari) Produced by Malkovich, a home invasion drama that insults the intelligence of both the protagonist who attended MIT, and the…

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Review of The Mustang (2019)

By Mauro_Lanari (665) on 16 Oct 2022

(Mauro Lanari) Not wanting to shoot a remake of The Horse Whisperer (1998), this time Redford limits himself to producing a succinct clone…

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Review of Do Revenge (2022)

By Mauro_Lanari (665) on 15 Oct 2022

(Mauro Lanari) Fight Club at the time of today's high school. Fincher's film is openly quoted…

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Review of Significant Other (2022)

By Mauro_Lanari (665) on 14 Oct 2022

(Mauro Lanari) If the level of the Paramount+ offer is this one, there is no good news…

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Review of The Black Phone (2022)

By Mauro_Lanari (665) on 10 Oct 2022

(Mauro Lanari) To remind me of inanimate objects that are transformed, telepathic relationships, phantasmatic presences, clairvoyance (the…

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Review of 13 Minutes (2021)

By Mauro_Lanari (665) on 09 Oct 2022

(Mauro Lanari) Superior to the Syfy or Cinetel level, it is a modest film as much as honest in its ambitions, offering nothing more than what…

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Review of Speak No Evil (2022)

By Mauro_Lanari (665) on 06 Oct 2022

(Mauro Lanari) Civilization and Its Discontents (Freud 1929) exposed in its incompatible polarizations, as a Cliffsnotes or even worse as a…

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Review of Bergman Island (2021)

By Mauro_Lanari (665) on 05 Oct 2022

(Mauro Lanari) Mia Hansen-Løve comes up with the idea of sublimating the rupture of her relationship with Olivier Assayas by making it a film…

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Review of Heart of Champions (2021)

By Mauro_Lanari (665) on 03 Oct 2022

(Mauro Lanari) Numbing, arguably the limpest sports drama I've ever seen…

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Review of Anything's Possible (2022)

By Mauro_Lanari (665) on 02 Oct 2022

(Mauro Lanari) Who during the high school period (and not only) has been able to avoid naively clumsy behavior…

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