Movie Reviews by Mauro_Lanari - Page 11 of 34

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Review of Along for the Ride (2022)

By Mauro_Lanari (665) on 29 May 2022

(Mauro Lanari) A teen romcom: manipulative or sincere? Be that as it may, it's cute and works…

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Review of The Forever Purge (2021)

By Mauro_Lanari (665) on 27 May 2022

(Mauro Lanari) Behind the idea of the New Founding Fathers for an annual purge of US bellicosity there would be the Second Amendment to the…

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Review of Emergency (2022)

By Mauro_Lanari (665) on 27 May 2022

(Mauro Lanari) The daily news is overflowing with facts like these, no need to exasperate them artificially with a script awarded at festivals…

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Review of Pelé (2021)

By Mauro_Lanari (665) on 26 May 2022

(Mauro Lanari) Kevin Macdonald debuted as a documentary filmmaker and to some extent returns to his own roots by producing this biopic on Pelé…

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Review of The Lost City (2022)

By Mauro_Lanari (665) on 24 May 2022

(Mauro Lanari) If you don't have (or worse: if it suits you not to have) new ideas, parody the old ones…

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Review of Death of a Telemarketer (2021)

By Mauro_Lanari (665) on 22 May 2022

(Mauro Lanari) The movie mentions the Gordon Gekko of Wall Street (1987 and 2010), yet the reference to the Jordan Belfort by Scorsese (2013)…

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Review of The Bubble (2022)

By Mauro_Lanari (665) on 17 May 2022

(Mauro Lanari) If it only amuses when it pays homage to other works or movies, Goya, Videodrome, Pulp Fiction, it means that the parody is…

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Review of Better Nate Than Ever (2022)

By Mauro_Lanari (665) on 16 May 2022

(Mauro Lanari) Built to cast Rueby Wood as the new Disney Channel genderfluid star, nothing is better than Nate…

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Review of Marry Me (2022)

By Mauro_Lanari (665) on 15 May 2022

(Mauro Lanari)The remake of Notting Hill (Michell/Curtis 1999) still works as mediocre romcom even if deprived of British humor, stuffed with…

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Review of Ambulance (2022)

By Mauro_Lanari (665) on 14 May 2022

(Mauro Lanari) Abusing drones and kineticism, Bay photographs L.A., the movie protagonist, with a light that Friedkin and Mann might have liked…

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Review of No Man of God (2021)

By Mauro_Lanari (665) on 13 May 2022

(Mauro Lanari) I did not expect anything at the level of Capote (Miller 2005), but not even a film reduced to an interminable dialogue between…

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Review of Blood and Money (2020)

By Mauro_Lanari (665) on 08 May 2022

(Mauro Lanari) The location of North Maine Woods alone is not enough and Barr's feature directorial debut drags on, like Berenger in the main…

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Review of Moonfall (2022)

By Mauro_Lanari (665) on 06 May 2022

(Mauro Lanari) The (self-)hyper-quotationism does not hide the almost absolute lack of ideas and coherence, on earth as it is in heaven…

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Review of Cyrano (2021)

By Mauro_Lanari (665) on 27 Apr 2022

(Mauro Lanari) Joe Wright directs his somewhat overweight partner Haley Bennett in a sumptuous flop at the box office…

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Review of The Desperate Hour (2022)

By Mauro_Lanari (665) on 22 Apr 2022

(Mauro Lanari) I don't know how the one-man shows shot in real time can be distinguished, from the precursor Nick of Time [Badham 1995] to…

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Review of Nightmare Alley (2021)

By Mauro_Lanari (665) on 19 Apr 2022

(Mauro Lanari) Referrals to the '32 Tod Browning or to Herzog's very first works are scarce…

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Review of Metal Lords (2022)

By Mauro_Lanari (665) on 17 Apr 2022

(Mauro Lanari) Trash music for a trash movie of a trash streaming platform…

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Review of Belfast (2021)

By Mauro_Lanari (665) on 16 Apr 2022

(Mauro Lanari) The story of 9-year-old Buddy, his family and his social context is hurried, hasty and badly sketched, the amarcord of Branagh…

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Review of West Side Story (2021)

By Mauro_Lanari (665) on 15 Apr 2022

(Mauro Lanari) Elegant, fluid, rhythmed. Ordinary administration for Spielberg. Three notes…

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Review of Joe Bell (2020)

By Mauro_Lanari (665) on 10 Apr 2022

(Mauro Lanari) A new nosographic category has been added in the DSM-5: persistent complex bereavement disorder (PCBD), formerly known as prolonged…

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