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Last updated: 23 Jun 2026 at 18:02 UTC

Movie Reviews by Leah Greenblatt - Page 22 of 37

421-440 of 734 Reviews

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Review of The Upside (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Jan 2019

The racial politics feel almost willfully retro, but the actors’ charisma cuts through: Forced to work strictly from the neck up, Cranston…

Review of Second Act (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Dec 2018

What’s fun is just watching Lopez and her supporting cast — including her real-life best friend Remini, Tony winner Annaleigh Ashford as…

Review of Vice (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Dec 2018

The shrewd, relentless winkiness of McKay’s filmmaking style may have worked better, though, for breaking down subprime mortgages in The…

Review of Vice (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Dec 2018

The shrewd, relentless winkiness of McKay’s filmmaking style may have worked better, though, for breaking down subprime mortgages in The…

Review of Bumblebee (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Dec 2018

John Cena is top billed, and though his brick-jawed military man doesn’t actually get many scenes, he does get a disproportionate share of…

Review of Mary Poppins Returns (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Dec 2018

Spoonfuls of sugar always help the movie magic go down; if only this Mary had gotten a necessary twist of lemon, too…

Review of Bird Box (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Dec 2018

As Bird time-jumps between the claustrophobic action of the house and a desperate sort of jailbreak, director Susanne Bier (The Night Manager)…

Review of Ben Is Back (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Dec 2018

Hedges is a flayed nerve, jittery and raw. Roberts may be the true revelation, though: She begs, she bargains, she swears like a teamster…

Review of Mary Queen of Scots (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Dec 2018

What keeps the film from feeling like period-piece amber, all whispered alliances and wiggery, is the keenly feminist sensibility of first-time…

Review of Green Book (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Nov 2018

In a world that seems to get uglier every day, this movie’s gentle heart and mere humanity feel like a salve…

Review of The Grinch (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Nov 2018

Kids could still watch the peerless 1966 original, though their blooming little cortexes will probably respond to the shiny-bright novelty…

Review of Widows (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Nov 2018

It’s entertaining enough for popcorn — and gratifying, too, to watch these smart, strong women step into roles they’re so often left…

Review of Shoplifters (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Nov 2018

Kore-eda is working up to something else, steering the story he’s built so carefully toward an utterly unexpected detour…

Review of At Eternity's Gate (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Nov 2018

If Eternity is hardly a completist portrait — or even a narratively satisfying one, really — it’s still gratifying to watch in other…

Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Nov 2018

There might not be a more gorgeous-looking movie this year than Fantastic Beasts: The Crimes of Grindelwald…

Review of Bohemian Rhapsody (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Nov 2018

Maybe unavoidably, the movie that’s emerged from all that has the distinct whiff of compromise and art by committee — the opposite, in…

Review of A Private War (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Oct 2018

By the time the narrative comes to Colvin’s greatest get — she was essentially the first Western journalist to get inside Homs and refute…

Review of Bad Times at the El Royale (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2018

It’s British stage actress Erivo who feels like the real star…

Review of mid90s (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2018

He (Hill) makes Mid90s resonate with universal poignancy and electric energy; his kids are the best, messiest kind of real, and they’re alright…

Review of The Kindergarten Teacher (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Oct 2018

Gyllenhaal, bright-eyed and brittle, brings her signature intensity to the role, though Lisa’s true inner world remains murky; it’s never…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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