Review of Mary Queen of Scots (2018) by Leah Greenblatt for Entertainment Weekly — 03 Dec 2018
What keeps the film from feeling like period-piece amber, all whispered alliances and wiggery, is the keenly feminist sensibility of first-time director Josie Rourke (her background is largely in theater) and the fierce charisma and complicated humanity of its two leads, sovereigns till the end.
You can read the full review where it was originally posted online.
This review of Mary Queen of Scots (2018) was written by Leah Greenblatt and published by Entertainment Weekly on 03 Dec 2018.
Mary Queen of Scots has generally received mixed reviews.
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