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Last updated: 23 Jun 2026 at 14:34 UTC

Movie Reviews by Leah Greenblatt - Page 23 of 37

441-460 of 734 Reviews

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Review of Loving Pablo (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Oct 2018

Escobar’s story hardly lacks for plot points, and director Fernando León de Aronaoa (Mondays in the Sun) hits them all obligingly, if broadly…

Review of Monsters & Men (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Sep 2018

Reinaldo Marcus Green’s quiet drama still carries its own kind of big stick, even if the story’s impact is ultimately muffled by his meditative,…

Review of Smallfoot (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2018

Smallfoot has its own silly, beastie charm…

Review of Monsters and Men (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2018

Reinaldo Marcus Green’s quiet drama still carries its own kind of big stick, even if the story’s impact is ultimately muffled by his meditative,…

Review of Assassination Nation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Sep 2018

There’s a kinetic energy in Levinson’s telling, and real catharsis in a riotous final sequence that feels all the more triumphant for the…

Review of The Land of Steady Habits (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Sep 2018

As the tone wobbles between absurdity and tragedy, it also starts to shift toward something deeper and more bittersweet than mere midlife ennui…

Review of The Sisters Brothers (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2018

Sisters gets sadder and more eccentric as it goes along, and the ending actually tugs sweetly on a few heart strings, though it’s also hard…

Review of Destroyer (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2018

Kidman, to her credit, goes all in, but it’s hard to ignore the neon sign over her head that keeps flashing “See? I’m Acting!”…

Review of Can You Ever Forgive Me? (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2018

Can You Ever Forgive Me?’s premise is so low-key outrageous, it would almost have to be true…

Review of Bel Canto (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Sep 2018

Director Paul Weitz is mostly known for lighter, more observational stories like About a Boy and Mozart in the Jungle, and the strongest moments…

Review of If Beale Street Could Talk (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Sep 2018

In some ways Beale feels less like a movie than a well-staged, meticulously shot play; a period piece that floats beyond its specific time…

Review of The Hate U Give (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Sep 2018

If Tillman ties it all together a little neatly, he’s already served up a message that feels too fresh and important to dismiss — not of…

Review of Halloween (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Sep 2018

Long live Michael Myers, so maybe someone can finally kill him — in a big, funny, scary, squishy, super-meta sequel that brings it all back…

Review of Beautiful Boy (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2018

Beautiful Boy keeps you strung on that line for nearly all of its run time, and sometimes it feels less like a movie than an endurance test…

Review of Outlaw King (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Sep 2018

Mackenzie falls a little too in love with his battle scenes; by the fourth clash of blood and swords it all starts to feel like déjà vu,…

Review of A Star Is Born (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Aug 2018

It’s Cooper, in his directing debut, who ultimately has to carry the film from both sides…

Review of Destination Wedding (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 29 Aug 2018

The script, by writer-director Victor Levin (Survivor’s Remorse, Mad About You) comes on like a rom-com David Mamet freight train; its verbal…

Review of The Children Act (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Aug 2018

Even the cast’s uniform excellence can’t quite crack Children’s outer carapace, or bring full life to Fiona’s emotional struggle as…

Review of Searching (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Aug 2018

First-time filmmaker Aneesh Chaganty (a former Google employee, appropriately) is a resourceful man, and a very clever one; he nearly aces…

Review of Support the Girls (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Aug 2018

To see a black female over 40 holding the center of a story about ordinary, unsung lives makes Support a low-key pleasure; one that transcends…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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