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Last updated: 23 Jun 2026 at 14:34 UTC

Movie Reviews by Leah Greenblatt - Page 17 of 37

321-340 of 734 Reviews

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Review of Black Christmas (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Dec 2019

A sort of forgettable Christmas wisp, a black-hearted jingle bell only half-rung…

Review of Richard Jewell (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Dec 2019

As a filmmaker, Eastwood may not be famed for subtlety, but he does have a way with economy…

Review of The Two Popes (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Dec 2019

As these vastly different men parry, spar, and circle one another, Meirelles’ intimately talky two-hander — not counting, depending on…

Review of Bombshell (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Dec 2019

Bombshell belongs to its three main female stars…

Review of Portrait of a Lady on Fire (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Dec 2019

There’s almost no single moment in Portrait of a Lady on Fire that couldn’t be captured, mounted, and hung on a wall as high art…

Review of The Aeronauts (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Dec 2019

Jones reportedly did nearly all the stunts herself in a real balloon, and she makes the stakes feel fretfully real despite the dreamy, almost…

Review of 1917 (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Nov 2019

The film belongs to Chapman and more than anyone, MacKay, a 27-year-old Londoner with the long bones and baleful eyes of a porcelain saint…

Review of Little Women (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Nov 2019

If Gerwig’s woke Women-hood verges on anachronism, though, it also feels fully loyal to the spirit of Alcott, a woman always well ahead of…

Review of After Parkland (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Nov 2019

What feels important in Parkland is less about pushing any kind of political agenda or viewpoint than about simply listening, and bearing witness…

Review of 21 Bridges (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Nov 2019

It’s not a bad setup, and Bridges would be a better movie, easily, if it had let a little more nuance creep into its script…

Review of Dark Waters (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Nov 2019

These Waters never quite run as strong or as deep as they should…

Review of Waves (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Nov 2019

In the sometimes overstuffed script there’s more than a touch, too, of the TV projects two of its stars are best known for: This Is Us (Brown)…

Review of Waves (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Nov 2019

In the sometimes overstuffed script there’s more than a touch, too, of the TV projects two of its stars are best known for: This Is Us (Brown)…

Review of Last Christmas (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Nov 2019

It takes a lot of talent, apparently, to make a movie like Last Christmas — a pile-on of dingle-bell schmaltz so deeply ridiculous it’s…

Review of Black and Blue (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Oct 2019

Harris, eyes blazing, brings a humanity and an urgency that serve the story maybe more than it deserves: a performance above and beyond the…

Review of Cave Rescue (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

Review of The Cave (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

Review of Tell Me Who I Am (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

But the truth, when it does come out, is devastating — to the point that it can feel invasive to watch such a profoundly private moment unfold…

Review of The cave (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

Review of The Lighthouse (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Oct 2019

The mannered aye-matey dialogue often gives Lighthouse the performative feeling of a play, but Eggers (The Witch) is also a masterful stylist;…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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