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Last updated: 23 Jun 2026 at 13:13 UTC

Movie Reviews by Leah Greenblatt - Page 16 of 37

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Review of Emma. (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

Review of Emma (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

Review of Downhill (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Feb 2020

As an attempt to scale the craggy heights of a marriage in crisis, Downhill may be more bunny slope than black diamond — a force mineure,…

Review of To All the Boys: P.S. I Still Love You (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Feb 2020

Though it also feels like the kind of movie you wish they made more often for all the boys, and girls, still figuring out who they are —…

Review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Feb 2020

Does the movie’s pop-feminist message need to be as consistently, cartoonishly violent as it is? Almost definitely not…

Review of The Rhythm Section (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Jan 2020

In the second half, the movie even manages a few rare moments of visceral thrill, and even something like catharsis…

Review of The Courier (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

Ironbark might not be a great film in the end, but it is a satisfying good one — a story that’s at its best when it colors outside the…

Review of Promising Young Woman (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

As satire, Woman‘s first two acts are fun but broad: a winky, wildly stylized slice of girl-powered revenge porn…

Review of Wendy (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

Zeitlin has a gift for casting vivid new talent, and for creating images that read like fevered visual poetry: gorgeously saturated tableaus…

Review of On the Record (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Jan 2020

If the subject ultimately proves to be more slippery and diffuse than in the duo’s previous films (The Invisible War addressed sexual assault…

Review of Zola (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

If Paige and Keogh weren’t both such indelible, fiercely charismatic characters, the whole thing could easily fall apart…

Review of The Assistant (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

Instead of melodrama, the movie finds its traction in parsing out micro-aggressions and mood: a sort of devastating slow-drip portrait of the…

Review of The Assistant (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jan 2020

Instead of melodrama, the movie finds its traction in parsing out micro-aggressions and mood: a sort of devastating slow-drip portrait of the…

Review of Miss Americana (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Jan 2020

You wish you’d seen more of this Taylor a long time ago…

Review of The Gentlemen (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jan 2020

The Gentlemen is nothing if not a callback to the Locks of yesteryear, star-stacked and defibrillated with enough juice to jolt a gorilla out…

Review of Bad Boys for Life (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Jan 2020

Banter and bullets is the action-movie MO, and the duo at the center of it hardly seem to have to stretch to spread their bickering charm on…

Review of Dolittle (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Jan 2020

The film is so eager to please, so relentlessly quippy and quirky and tipped with antic whimsy, it often feels like visiting a zoo built into…

Review of Underwater (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jan 2020

She’s (Stewart) just another action hero — albeit a smart, flinty one with exceptionally good hair — learning the hard way that under…

Review of Clemency (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Dec 2019

Clemency does what few other movies about death row have, handling a thorny, infinitely complicated subject in terms that are neither moralizing…

Review of Cats (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Dec 2019

Even after 110 tumbling, tail-swishing, deeply psychedelic minutes, it’s hard to know if you ever really knew anything — except that C…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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