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Last updated: 23 Jun 2026 at 18:02 UTC

Movie Reviews by Leah Greenblatt - Page 18 of 37

341-360 of 734 Reviews

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Review of The Lighthouse (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Oct 2019

The mannered aye-matey dialogue often gives Lighthouse the performative feeling of a play, but Eggers (The Witch) is also a masterful stylist;…

Review of Zombieland: Double Tap (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Oct 2019

For all the flying intestines and skulls that split open like past-due melons, Double Tap has another squishy organ at its center: a big, goofball…

Review of Maleficent: Mistress of Evil (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Oct 2019

For kids maybe this is still magical; grownups, though, will waste many long, busily bedazzled minutes wondering why the powers that were able…

Review of The King (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Oct 2019

What’s left is primarily a series of grand battleground set pieces — filmed crunchily, and well — and a series of consistently strong…

Review of Parasite (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2019

A serrating, brilliantly stylized portrait of class and fate and family in modern-day Korea…

Review of Little Monsters (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2019

It’s Nyong’o who makes Monsters worth spending 90 breezy, bloody minutes on; wielding her tiny guitar like she did a fateful pair of scissors…

Review of Gemini Man (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Oct 2019

Somehow though, the film registers as a strange, airless whiff — stale, inert, and oddly melancholy…

Review of Dolemite Is My Name (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Oct 2019

Murphy...brings so much hope and hunger and pure life force to the role that he makes you believe in every punchline, pelvic thrust, and egregiously…

Review of The Laundromat (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Oct 2019

If a motley crew of movie stars is what it takes to shine more light on government malfeasance, then let Meryl carry that torch in a wig and…

Review of The Irishman (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Sep 2019

It all becomes a sort of muddle for a while midway, one that’s not nearly as compelling as the acting itself, which is largely phenomenal,…

Review of Pain and Glory (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2019

In the scheme of Almodóvar’s rich catalogue, Pain is probably too small, too sad, and too obtuse to really recommend as any kind of starting…

Review of Where's My Roy Cohn? (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Sep 2019

Donald Trump was less kind, essentially abandoning him after his then still-secret diagnosis…

Review of Hustlers (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2019

Beneath all the chinchilla and body glitter, there’s a smart, beating heart…

Review of Marriage Story (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2019

Though it may not be an easy movie to watch, or even a particularly original one — there’s still Kramer vs…

Review of Harriet (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Sep 2019

If its aim to inspire and educate inevitably leaves the movie feeling a little classroom-bound, Harriet is still an impassioned, edifying portrait…

Review of Knives Out (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Sep 2019

A silly, stabby, supremely clever whodunnit that only really suffers from having too little room for each of its talented players to fully…

Review of A Beautiful Day in the Neighborhood (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Sep 2019

Hanks plays Fred as he lays: a sort of secular Buddha in a red knit cardigan whose gently probing questions and Zen proclamations work as a…

Review of The Goldfinch (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Sep 2019

The Goldfinch feels like more than the sum of its disparate parts; a painting in the wrong frame, maybe, but one whose imperfect beauty still…

Review of Jojo Rabbit (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Sep 2019

Waititi…

Review of Just Mercy (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Sep 2019

It’s solidly rewarding to watch the wheels of Mercy turn, though the direction…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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