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Last updated: 23 Jun 2026 at 08:30 UTC

Movie Reviews by Leah Greenblatt - Page 15 of 37

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Review of The King of Staten Island (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jun 2020

The script, which Davidson co-wrote, is rooted in his own childhood loss; his father, too, was a fireman, killed on 9/11…

Review of The High Note (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 May 2020

The movie has its moments, some of them genuinely delightful…

Review of The Lovebirds (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 May 2020

What feels freshest, maybe, is the mere fact of two leads of color taking on all the tropes of the genre and making it feel as modern as they do…

Review of How to Build a Girl (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 May 2020

Still, there's a sort of willful energy field between Giedroyc and Feldstein that pushes the story along; the blithe, anything-can-happen thrill…

Review of Capone (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 May 2020

Maybe what's most frustrating is how much the movie's deeper themes — morality, mortality, the twilight of power — churn intriguingly at…

Review of Spaceship Earth (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 May 2020

It's a fascinating story, this clash of 1960s idealism with the cold realities of modern science, though not one that director Matt Wolf (Wild…

Review of Driveways (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 May 2020

A gentle, almost willfully recessive story about love and loss and all the ways that people find to share the burden of them both, one unhurried…

Review of All Day and a Night (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 May 2020

A nervy, deeply felt drama that gets a little lost on its winding path to redemption but still finds a way home…

Review of Bad Education (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Apr 2020

Director Cory Finley (who also helmed 2017’s great, underappreciated Thoroughbreds) brings a light touch to Mike Makowsky’s script, nimbly…

Review of True History of the Kelly Gang (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Apr 2020

You can see gifted actors like Hoult and MacKay struggling to make the most of the material, and add finer shadings to Shaun Grant's bare-knuckled…

Review of Extraction (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Apr 2020

Extraction mostly delivers what its swaggering trailer promises: international scenery; insidious villains; a taciturn, tree-trunk Aussie…

Review of Love Wedding Repeat (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 10 Apr 2020

If only hilarity ensued; instead, Wedding manages to feel both overwrought and underbaked, consistently squeezing the natural charm out of…

Review of Lost Girls (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Mar 2020

It helps immensely that the film has an actress like Amy Ryan (Birdman, Beautiful Boy) to play Mari Gilbert, whose years-long battle to get…

Review of Spenser Confidential (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Mar 2020

Fists will smash; pecs will flex; hard consonants, like dirty cops, don't stand a chance…

Review of First Cow (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Mar 2020

A bittersweet comic absurdity, told in the rhythms of real life…

Review of The Way Back (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Mar 2020

Affleck keeps the movie anchored with his rumpled, unshowy performance: a man killing himself to live, until he can start to believe that maybe…

Review of Onward (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Mar 2020

Even at a relatively brief hour and 37 minutes, the familiar contours of Scanlon's story line struggle to conjure the wonder that Pixar’s…

Review of Big Time Adolescence (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Mar 2020

If Big Time isn’t exactly a PSA for good adulting, it’s still an endearingly messy portrait of boyhood and manhood and all the lessons in between…

Review of The Invisible Man (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Feb 2020

If the buildup and catharsis of its final minutes are more than a little silly, and marred by Whannell’s urge to put too neat bow on it all,…

Review of Emma (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Feb 2020

The freshness is found, primarily, in the energy of her storytelling and her vital young cast…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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