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Last updated: 22 Jun 2026 at 23:07 UTC

Movie Reviews by Leah Greenblatt - Page 14 of 37

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Review of Bill & Ted Face the Music (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Aug 2020

Mostly, the joy comes from watching Reeves and Winter on screen, two holy fools just doing their best to bring light and love and non-heinous…

Review of Tesla (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Aug 2020

Amidst all his meta tricks — the winky callouts to Wikipedia, the deliberately kitsch sets and incongruous soundtrack — Tesla’s own story…

Review of Unhinged (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Aug 2020

It doesn't help that Pistorius' Rachel spends the first 75 of it like a woman who's never seen a horror movie — if there were noises in the…

Review of Project Power (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Aug 2020

For all the patently corny bits and some 17 attempts at an ending, Power still somehow makes it easy to suspend your disbelief and your imaginary…

Review of Boys State (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Aug 2020

Mostly though, State tells a story both heartbreaking and hopeful: part C-Span, part Lord of the Flies, and wholly unforgettable…

Review of Made in Italy (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Aug 2020

It feels almost churlish to fault the film for its weightlessness, when light is exactly what movies like this are meant to provide: a fizzy,…

Review of Radioactive (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jul 2020

A film whose big ideas strain against the staid outlines of traditional screen storytelling — though budget alone can't be blamed for its…

Review of Amulet (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 24 Jul 2020

At times, Amulet can feel a little too in love with style over story; immoderately hung up on gooey close-ups of gutted fish or Magda engaged…

Review of The Rental (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 21 Jul 2020

A neat, nasty little thriller with a brutally effective final third…

Review of Relic (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2020

If the setup feels quotidian, the tension still climbs steadily, egged on by Edna's increasing confusion and cognitive decline and Kay and…

Review of Palm Springs (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jul 2020

At its core, the movie is too in love with love — or at least its messy, time-jumping ideal of it — for that kind of true discomfort comedy…

Review of The Old Guard (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Jul 2020

That leaves a movie that, beneath its strong female presence and few contemporary bits of flair, has a sort of inevitable bog-standard action…

Review of Greyhound (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Jul 2020

The movie maps its course by Hanks' steady hand: A ship moving swiftly and with sure purpose — compelled by death and danger, but safe in…

Review of Eurovision Song Contest: The Story of Fire Saga (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Jun 2020

If it all feels like less than the sum of all that wig glue and flop sweat and silver lamé — and far short of Ferrell's best — it's also…

Review of Irresistible (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 22 Jun 2020

In a world where a morning tweet can feel as dusty as the Dead Sea Scrolls by nightfall, it almost seems like madness to try to capture this…

Review of Welcome to Chechnya (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Jun 2020

It's shocking, and it should be. But Welcome finds tender, funny moments too — and even, in the end, some kind of hope…

Review of Athlete A (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Jun 2020

A measured if still-maddening look into the 2016 USA Gymnastics scandal…

Review of Babyteeth (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Jun 2020

Davis and Bloodline Emmy winner Mendelsohn, both Australian screen veterans, do the less glamorous work of being sad, angry adults, though…

Review of You Should Have Left (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Jun 2020

Even at 93 minutes, the material feels thin, and so does its moral message…

Review of Singles (1992)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Jun 2020

But here they’re all still young and flannel-y and full of hope—and nobody needs an app for that…

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Leah Greenblatt has written reviews for:

Entertainment Weekly (6,953)

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