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Review of Candyman (2021)

By Elizabeth Weitzman (1,905) for TheWrap (3,203) on 25 Aug 2021

DaCosta uses a range of thoughtfully considered media to shape their already-sharp script; the film’s violence is equally startling whether…

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Review of Candyman (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 25 Aug 2021

Candyman can’t seem to decide whether it wants to scare you or make you think…

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Review of Candyman (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 25 Aug 2021

This follow-up to the acclaimed 1992 horror film of the same name has far more substance than your average popcorn chiller…

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Review of Candyman (2021)

By Tim Grierson (1,482) for Screen Daily (1,021) on 25 Aug 2021

Director Nia DaCosta’s follow-up is both bitingly satiric and elegantly suspenseful, illustrating how race and class still bedevil modern…

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Review of Bob Ross: Happy Accidents, Betrayal & Greed (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 25 Aug 2021

Part biopic, part mystery, part exposé, Bob Ross: Happy Accidents, Betrayal & Greed is ultimately a cooled celebration, one eager to acknowledge…

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Review of Candyman (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 Aug 2021

Director Nia DaCosta, working from a script she wrote with Jordan Peele and Win Rosenfeld, uses Bernard Rose’s 1992 film as a jumping-off…

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Review of Candyman (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Aug 2021

The filmmakers utilize Rose’s intent with Barker’s story and run with it to find the most terrifying, resonate, and scathing conclusion…

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Review of Candyman (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 25 Aug 2021

Who can take a reboot, sprinkle it with something new, cover it with blood and bumblebees and a pointed social commentary or two…

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Review of Candyman (2021)

By Kate Erbland (681) for IndieWire (3,631) on 25 Aug 2021

While DaCosta ably toys with the usual genre trappings — jump scares, things that go bump in the night, eye-popping gore — the filmmaker,…

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Review of The Water Man (2020)

By Mauro_Lanari (665) on 25 Aug 2021

(Mauro Lanari) Oprah Winfrey produces David Oyelowo's directorial debut, a mix of drama, family, adventure and 90s fantasy…

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Review of Candyman (2021)

By Brian Truitt (541) for USA Today (4,117) on 25 Aug 2021

Hide your mirrors and look out for bees: Candyman has returned, more relevant and terrifying than ever…

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Review of Candyman (2021)

By Richard Lawson (539) for Vanity Fair (761) on 25 Aug 2021

The film is so busy working through what it’s trying to say that it loses its specific pacing and texture, tumbling toward a finale that…

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Review of Candyman (2021)

By David Sims (534) for The Atlantic (1,046) on 25 Aug 2021

By the end of this new Candyman, little personal investment remains for the audience, just a miasma of provocative thoughts failing to cohere…

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Review of Candyman (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 25 Aug 2021

While introducing a few arcs it doesn’t fully explore, Candyman is replete with haunting imagery, disconcerting horror, and thought-provoking…

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Review of Candyman (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 25 Aug 2021

Candyman caters to fans of the original without sacrificing its own vision and story…

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Review of Don't Breathe 2 (2021)

By Rebecca31 (376) on 25 Aug 2021

Don’t Breathe was a film about a blind man who fights off a home invasion, well apparently some genius decided this movie needed a sequel…

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Review of Candyman (2021)

By Robert Daniels (336) for Polygon (677) on 25 Aug 2021

The film is missing out on a cohesive vision, to the point where the audience will spend the entire film waiting for the flashbacks and summaries…

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Review of Dune (1984)

By Habibiehakim (321) on 25 Aug 2021

Dune really trying to be another Star Wars, and it fail so badly, instead of an exciting film, Dune is boring, weak, and lazy, this is the…

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Review of Bob Ross: Happy Accidents, Betrayal & Greed (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 25 Aug 2021

It’s much closer to the work of its main subject: a bit hurried, inoffensive and ultimately unsubstantial…

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Review of Candyman (2021)

By Chris Evangelista (306) for Slashfilm (971) on 25 Aug 2021

A dark, ominous undercurrent runs through Candyman, signaling Nia DaCosta as a filmmaker with a firm, unique grasp on the genre…

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