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Review of Candyman (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 25 Aug 2021

While the kills, perpetrated by a being mostly just seen in mirrors, are sometimes a bit too obfuscated by their gimmick to be viscerally satisfying,…

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Review of The Year of the Everlasting Storm (2021)

By Steve Pond (235) for TheWrap (3,203) on 25 Aug 2021

Everlasting Storm is an anthology film that is as uneven as most anthology films, but one that offers a disquieting and essential snapshot…

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Review of The Year of the Everlasting Storm (2021)

By Charles Bramesco (223) for The Playlist (3,871) on 25 Aug 2021

The thread connecting the finest shorts — Panahi, Poitras, and Joe — is adaptation, the willingness to alter form to match the challenge…

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Review of Candyman (2021)

By Keith Watson (196) for Slant Magazine (8,298) on 25 Aug 2021

Candyman doesn’t merely note the connection between fear and remembrance, it also interrogates it from every possible angle…

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Review of Candyman (2021)

By Mark Kennedy (184) for The Associated Press (882) on 25 Aug 2021

DaCosta can make a stroll down a well-lit, modern and clean hallway somehow creepy. This is confident, smart filmmaking…

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Review of Free Guy (2021)

By Manningn15 (183) on 25 Aug 2021

Free Guy was amazing, definitely my favorite video game style movie ever; a perfect blend between comedy, action, and video game style it really…

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Review of Bob Ross: Happy Accidents, Betrayal & Greed (2021)

By Kristen Lopez (178) for IndieWire (3,631) on 25 Aug 2021

This Bob Ross doc isn’t just messy, it one that paints a mixed portrait that’s hard to decipher…

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Review of Candyman (2021)

By Siddhant Adlakha (174) for IGN (1,013) on 25 Aug 2021

Nia DaCosta’s slow-burn sequel makes Candyman feel vital, both building on and course-correcting the movies in the series that came before it…

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Review of Reminiscence (2021)

By Unclewillard (169) on 25 Aug 2021

Right off the bat, I'm taken out of my suspension of disbelief…

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Review of Pinocchio (1940)

By Kelvinselimor (157) on 25 Aug 2021

Pinocchio. I'm a real boy! An interesting and informative story about an unusual wooden doll…

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Review of White Oleander (2002)

By Kenr (152) on 25 Aug 2021

It’s a grim view of the Foster Parent scheme that’s offered up in this dark and often depressing story - of a young girl’s nightmarish…

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Review of Candyman (2021)

By Matt Maytum (105) for Total Film (3,532) on 25 Aug 2021

Sharp social commentary and slick genre trappings make for thought-provoking entertainment, even if it never entirely hooks you…

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Review of The Witcher: Nightmare of the Wolf (2021)

By Shoulderoforion (95) on 25 Aug 2021

This was fantastic, and a fine respite from all the other failed animated shows and movies this year…

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Review of Hail Satan? (2019)

By Tonygreen (92) on 25 Aug 2021

Well made insight into a group that have great courage, and an agenda a little more nuanced than mere provocation…

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Review of Empire Records (1995)

By Tonygreen (92) on 25 Aug 2021

A teen comedy drama with a mostly likeable ensemble cast. A great soundtrack of lesser-known indie bands of the era…

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Review of Border (2018)

By Tonygreen (92) on 25 Aug 2021

Attractive and well made, Border really draws you in…

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Review of The Witcher: Nightmare of the Wolf (2021)

By Mikesgold2K (80) on 25 Aug 2021

Może I historia nie powala złożonością I odkrywczością tak jak I bohaterami, jednak nadrabiane jest to przez akcję I samą animację…

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Review of Downfall (2004)

By Glomman (77) on 25 Aug 2021

This is one of the best movies German cinema has brought forth in the past years in my opinion…

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Review of Candyman (2021)

By Kambole Campbell (73) for Empire (3,446) on 25 Aug 2021

Though it delivers some entertaining comedy and bloodshed, Candyman is clunky and overly instructive in its metaphorical purpose — killing…

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Review of Candyman (2021)

By Amon Warmann (68) for Time Out (7,510) on 25 Aug 2021

It helps that Candyman is exquisitely shot. Right from the first frame, DaCosta is always doing something interesting with the camera…

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