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Review of Candyman (2021)

By Richard Brody (868) for The New Yorker (1,837) on 26 Aug 2021

For all its symbolic heft and keen-eyed flair, there’s a scattershot quality to Candyman that has to do with the seemingly inescapable demands…

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Review of Together (2021)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 26 Aug 2021

For his part, director Stephen Daldry synthesizes the predominant beats of his film work, which has vacillated between feel-good awards bait…

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Review of No Man of God (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 26 Aug 2021

For anyone who has heard audio of Bundy, Kirby’s impersonation will sound chillingly close to the real killer’s deadened, yet at times…

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Review of Kipchoge: The Last Milestone (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 26 Aug 2021

The athleticism, physics and what one person calls the “bit of ballet” of the event are all stirring to witness…

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Review of Isabella (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 26 Aug 2021

While the pieces more or less fall into place, trying to solve the mysteries of Isabella may be missing the point…

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Review of Bob Ross: Happy Accidents, Betrayal & Greed (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 26 Aug 2021

The melancholy result is that the painter with the spectacularly lulling voice, the hallmark ’fro and the liberating kindness remains a mystery;…

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Review of Demonic (2021)

By Tara Brady (805) for The Irish Times (483) on 26 Aug 2021

Co-written with Blomkamp’s District 9 collaborator Terri Tatchell, the film has agreeably creepy blurred ideas about the human experience…

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Review of The Nest (2020)

By Tara Brady (805) for The Irish Times (483) on 26 Aug 2021

Jude Law channels swaggering disquiet, resembling both the tormentor and tormented of a Harold Pinter play…

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Review of The Nest (2020)

By Tara Brady (805) for The Irish Times (483) on 26 Aug 2021

Jude Law channels swaggering disquiet, resembling both the tormentor and tormented of a Harold Pinter play…

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Review of Annette (2021)

By Brent_Marchant (762) on 26 Aug 2021

When I watch a movie, I pride myself on sticking it out, no matter how awful it may be…

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Review of The Night House (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Aug 2021

Though the bag of tricks that Bruckner (V/H/S, The Ritual) digs through — the jump scares and shadow figures, the eerily suspended rules…

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Review of Gunpowder Milkshake (2021)

By Mauro_Lanari (665) on 26 Aug 2021

(Mauro Lanari) Does female emancipation pass through a Kill Bill multiplied n times or a matriarchal John Wick with choreography of bullets…

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Review of Candyman (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 26 Aug 2021

The golden era of slashers was defined by vicarious, often overblown pleasures, while the mood of Candyman is overwhelmingly dour and gloom-cloaked…

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Review of No Man of God (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 26 Aug 2021

Director Amber Sealey gives the last word to Hagmaier, not Bundy…

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Review of Together (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 26 Aug 2021

Visually as well as emotionally, there’s more energy here than in some action movies…

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Review of Candyman (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 26 Aug 2021

Acute and skillfully made, Candyman is also pointedly political…

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Review of The Lost Leonardo (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 26 Aug 2021

Really, The Lost Leonardo is a detective story. Like any good detective story, it’s also a morality tale…

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Review of The Feast (2021)

By Kristy Puchko (422) for IGN (1,013) on 26 Aug 2021

Director Lee Haven Jones elevates this ripe premise with a masterful use of color and a garnish of gore…

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Review of The Feast (2021)

By Kristy Puchko (422) for IGN (1,013) on 26 Aug 2021

Director Lee Haven Jones elevates this ripe premise with a masterful use of color and a garnish of gore…

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Review of Mad God (2021)

By Kristy Puchko (422) for IGN (1,013) on 26 Aug 2021

Phil Tippett’s Mad God unleashes decades of pent-up creative darkness into a trippy and troubling ride with astonishing craftsmanship, but…

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