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Review of Together (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 Aug 2021

Even at its most glancing and superficial, Together offers a diverting attempt at capturing recent history, in all its maddening contradictions…

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Review of Flag Day (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 26 Aug 2021

As a director, Penn knows how to create arresting tableaus that draw the eye and spark the viewer’s own sensory past…

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Review of Candyman (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 26 Aug 2021

It’s easy to shock viewers with splatter but the old gut-and-run gets awfully boring awfully fast…

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Review of The Protégé (2021)

By Tvjerry (1,783) on 26 Aug 2021

Even though Micheal Keaton and Samuel L…

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Review of American Sausage Standoff (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 26 Aug 2021

What ensues when Edward and the town’s reactionaries clash cannot be properly called hilarity, and the end product of this dismal film is…

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Review of Together (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 26 Aug 2021

That it’s bearable at all is entirely because of the superlative acting skills of James McAvoy and Sharon Horgan as an unnamed couple forced…

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Review of Lily Topples The World (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 26 Aug 2021

No arguments, frustrations or consequential disappointments mar the film’s unvaryingly upbeat tone…

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Review of Candyman (2021)

By Dana Stevens (1,435) for Slate (2,081) on 26 Aug 2021

The first hour of Candyman does a bang-up job of mixing such audience-teasing popcorn thrills with trenchant, if sometimes too flatly stated,…

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Review of Candyman (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 26 Aug 2021

DaCosta, who made her directorial debut with the remarkable abortion drama “Little Woods,” firmly announces herself as an artist at work…

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Review of No Man of God (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 26 Aug 2021

No Man of God is impeccably and carefully directed by Sealey, and the craft on display is remarkable…

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Review of Together (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Aug 2021

Together may not be the best pandemic movie about a poison-tongued couple stuck in lockdown together, but it’s the first to recognize that…

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Review of Awaken (2020)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Aug 2021

Awaken was reportedly shot over the course of five years and across 30 countries, yet all that time and globe-trotting effort yielded little…

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Review of Awaken (2021)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Aug 2021

Awaken was reportedly shot over the course of five years and across 30 countries, yet all that time and globe-trotting effort yielded little…

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Review of Candyman (2021)

By Donald Clarke (1,051) for The Irish Times (483) on 26 Aug 2021

Nia DaCosta, young director of the fine Little Woods, is behind the camera and she shows a real gift for gruesome showboating…

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Review of Bitchin': The Sound and Fury of Rick James (2021)

By Peter Keough (994) for Boston Globe (6,852) on 26 Aug 2021

Drawing on the memories of family members, friends, and collaborators, and tapping into a trove of archival material, including tapes of James’s…

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Review of Demonic (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Aug 2021

In the end, Demonic is all simulation, no real scares…

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Review of Everybody's Talking About Jamie (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Aug 2021

There’s abundant joy, spirited resilience and sweet humor on tap that should be especially infectious for young LGBTQ audiences, or anyone…

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Review of The Night House (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Aug 2021

Rebecca Hall’s admirable refusal to soften the brittle edges of her recently widowed protagonist in The Night House makes her a compelling…

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Review of Everybody's Talking About Jamie (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Aug 2021

There’s abundant joy, spirited resilience and sweet humor on tap that should be especially infectious for young LGBTQ audiences, or anyone…

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Review of Candyman (2021)

By Brian Lowry (913) for CNN (497) on 26 Aug 2021

For all that the film does well, in trying to balance its cerebral, visceral and sequel aspects, Candyman appears to have bitten off a bit…

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