Review of Candyman (2021) by Katie Walsh for Los Angeles Times — 26 Aug 2021
DaCosta, who made her directorial debut with the remarkable abortion drama “Little Woods,” firmly announces herself as an artist at work with Candyman, a genuinely terrifying and artful horror film that speaks with a bell-clear voice to the current moment, the product of centuries of racist power structures.
You can read the full review where it was originally posted online.
This review of Candyman (2021) was written by Katie Walsh and published by Los Angeles Times on 26 Aug 2021.
Candyman has generally received mixed reviews.
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