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Review of The Card Counter (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

That The Card Counter shakes your faith in the writer-director’s ability to beat the odds is part of its scabrous charm…

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Review of The Power of the Dog (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Power of the Dog sticks its teeth into you so fast and furtively that you may not feel the sting on your skin until after the credits roll,…

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Review of The Hand of God (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2021

The Hand of God doesn’t always find the clearest way of knotting these various stories together, and the film’s second half — replete…

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Review of The Power of the Dog (2021)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 02 Sep 2021

Campion preserves the simplicity of Savage’s prose with the understated ease of her own storytelling, and she even finds a compelling way…

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Review of The Card Counter (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

A companion piece of sorts to First Reformed, this is another bruising character study of a solitary, burdened man who processes his most intimate…

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Review of The Power of the Dog (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

This is an exquisitely crafted film, its unhurried rhythms continually shifting as plangent notes of melancholy, solitude, torment, jealousy…

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Review of The Hand of God (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Sep 2021

It’s the work of a director in full command of his gifts, from the kaleidoscopic vignettes of family life that make the first half such a…

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Review of Cinderella (2021)

By Brian Lowry (913) for CNN (497) on 02 Sep 2021

It's possible to allow that Cinderella has its heart in the right place without concluding that the movie works…

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Review of Cinderella (2021)

By Brian Lowry (913) for CNN (497) on 02 Sep 2021

It's possible to allow that Cinderella has its heart in the right place without concluding that the movie works…

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Review of Worth (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 02 Sep 2021

For all the ways in which it might give short shrift to the politics or policy of the fund, Worth is uncommonly moving by the standards of…

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Review of The Year of the Everlasting Storm (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 02 Sep 2021

The omnibus film The Year of the Everlasting Storm assembles pandemic-made shorts from around the globe…

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Review of Wild Indian (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 02 Sep 2021

The ensuing violence and its aftermath are chilling, woeful and utterly consistent with the tragedy that began long before a fateful afternoon…

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Review of The Card Counter (2021)

By Chuck Bowen (756) for Slant Magazine (8,298) on 02 Sep 2021

Paul Schrader’s film grows more heated and crazed as the chaos of the past bleeds into a repressed present…

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Review of Together (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Sep 2021

Even within the stagy confines of the movie's Scenes From a Marriage setup, Horgan and McAvoy manage to tease out the more subtle and enduring…

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Review of The Year of the Everlasting Storm (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 02 Sep 2021

There are no outright disasters and two superlative shorts, one of which may well turn out to be this year’s single greatest cinematic achievement…

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Review of The Card Counter (2021)

By Alison Willmore (681) for New York Magazine (Vulture) (3,519) on 02 Sep 2021

What makes The Card Counter so delicious, aside from the Mad Libs quality of the way it connects card playing and government-sanctioned torture,…

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Review of The Courier (2020)

By Mauro_Lanari (665) on 02 Sep 2021

(Mauro Lanari) Cumberbatch produces himself in a movie with which he wants to prove that he is a good actor not only in the management of psychic…

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Review of Misha and the Wolves (2021)

By Cath Clarke (570) for The Guardian (2,969) on 02 Sep 2021

It’s propulsively watchable if a tad light on reflection. And you may feel hoodwinked by one late reveal…

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Review of Yakuza Princess (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 02 Sep 2021

The further director Vicente Amorim pulls out, the more exciting the film becomes; but he never really takes advantage of the supernatural…

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Review of The Power of the Dog (2021)

By Richard Lawson (539) for Vanity Fair (761) on 02 Sep 2021

While the core narrative is plenty compelling in all its creeping dread and curiosity, The Power of the Dog is not too concerned with being…

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