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Review of Cinderella (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 02 Sep 2021

I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it…

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Review of Here Today (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 02 Sep 2021

Any movie that helps us to talk about dementia is to be welcomed, and they are becoming more commonplace…

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Review of The Card Counter (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

Part of the beauty of poker is that it doesn’t represent anything. It’s just a game…

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Review of The Power of the Dog (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

All of this should build, slowly and inexorably, in force and emotion…

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Review of The Hand of God (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 02 Sep 2021

The Hand of God has some good scenes, but it’s the kind of portrait-of-an-artist drama where you watch the insults, the clashes, the assaultive…

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Review of Worth (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 02 Sep 2021

Worth falls just short of having enough strength in the screenplay to warrant a recommendation…

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Review of The Card Counter (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 02 Sep 2021

The Card Counter, with Isaac’s superb performance at its heart, might be the movie you didn’t know you were wishing for, coming at a time…

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Review of The Power of the Dog (2021)

By Stephanie Zacharek (2,333) for Time (1,811) on 02 Sep 2021

This is a movie as big as the open sky, but one where human emotions are still distinctly visible, as fine and sharp as a blade of grass…

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Review of Candyman (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 02 Sep 2021

What’s really spooky about Candyman is that the movie is confused in almost exactly the way that the first film was…

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Review of We Need to Do Something (2021)

By Marc Savlov (2,019) for Austin Chronicle (7,653) on 02 Sep 2021

The cramped environs and the paranoiac thrum that runs throughout the film like a main circuit cable straight to hell are almost outmatched…

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Review of Yakuza Princess (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 02 Sep 2021

The cynical pro forma luridness Yakuza Princess grinds out suggests that sensationalist cinema, or at least its most ostensibly mainstream…

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Review of The Card Counter (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 02 Sep 2021

With The Card Counter, Schrader has a sub-theme he can toss off like a light cloak, and when he does, the movie swerves into a semi-surreal…

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Review of Bitchin': The Sound and Fury of Rick James (2021)

By Glenn Kenny (1,728) for The New York Times (9,847) on 02 Sep 2021

The movie wants the viewer to believe that James didn’t have it easy — and he didn’t…

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Review of The Card Counter (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 02 Sep 2021

Its icy conviction and unblinking Bressonian rigour generate their own particular, intoxicating strain of doom-laced excitement…

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Review of The Power of the Dog (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 02 Sep 2021

The film is often hard to watch, but Campion and her uniformly excellent cast leaven the discomfort with a constant sense of prickling intrigue…

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Review of The Hand of God (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 02 Sep 2021

Sorrentino and his cast make these teenage recollections twinge with freshness…

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Review of Worth (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 02 Sep 2021

What we’re left with is, thankfully, sharp exchanges about loss and conscience, a director’s sincere approach to potentially melodramatic…

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Review of Cinderella (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 02 Sep 2021

With all the songs, gowns and corny jokes, kids under 10 will likely love it, and frankly, that’s who this is for, not the millennials or…

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Review of Cinderella (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 02 Sep 2021

With all the songs, gowns and corny jokes, kids under 10 will likely love it, and frankly, that’s who this is for, not the millennials or…

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Review of Afterlife of the Party (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 02 Sep 2021

Justice may have a striking screen presence, but she can only do much with material that’s less than heavenly…

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