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Review of Vacation Friends (2021)

By Vince Mancini (256) for Uproxx (697) on 08 Sep 2021

Vacation Friends isn’t exactly groundbreaking or revolutionary in its comedy — it does have a few stock situations and characters (the…

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Review of The Voyeurs (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 08 Sep 2021

Mohan handles his audience with care, diligence, attentiveness, creativity, smoldering passion – the mind positively swims with sexual metaphors…

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Review of The Capote Tapes (2021)

By Dan Callahan (211) for TheWrap (3,203) on 08 Sep 2021

The Capote Tapes can feel a bit chaotic and lopsided at times, but it makes clear that Capote is a figure who continues to command the public’s…

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Review of Azor (2021)

By Siddhant Adlakha (174) for IndieWire (3,631) on 08 Sep 2021

The film seldom wavers from its singular idea and feeling; tonally, it’s a stroll across a plateau by design, but it teeters constantly over…

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Review of Queenpins (2021)

By Josh Spiegel (148) for Slashfilm (971) on 08 Sep 2021

Queenpins boasts a cast of talented ringers, who elevate the muddled material far more than it deserves, without actually resulting in an all-around…

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Review of Vacation Friends (2021)

By Josh Spiegel (148) for Slashfilm (971) on 08 Sep 2021

Vacation Friends probably wouldn't work that well in a movie theater, but at least there, you'd have the potential of infectious laughter…

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Review of Blood Brothers: Malcolm X & Muhammad Ali (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 08 Sep 2021

Blood Brothers struggles under the weight of its subjects…

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Review of Queenpins (2021)

By Angie Han (120) for The Hollywood Reporter (7,050) on 08 Sep 2021

The crime comedy ends not as a fat stack of jokes but a jumble of loose change — not entirely worthless, but not amounting to a whole lot, either…

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Review of Queenpins (2021)

By Wes Greene (110) for Slant Magazine (8,298) on 08 Sep 2021

The film’s largely painful humor is informed by the mistaken belief that the main characters’ criminal enterprise is inherently quirky…

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Review of Halloween Kills (2021)

By Rafael Motamayor (108) for IGN (1,013) on 08 Sep 2021

Halloween Kills suffers from being the second chapter in a trilogy, but it still delivers gory fun, fantastic performances, and an electrifying…

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Review of Ponyo (2008)

By Clem666 (107) on 08 Sep 2021

Ponyo' shows off what Miyazaki does at his best: great animation, moving and touching story, compelling scenario allowing a second look about…

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Review of Free Guy (2021)

By Markhreviews (102) on 08 Sep 2021

Recently, creative teams apparently have found it irresistible to explore what it means to be human by writing scripts that insert people into…

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Review of Stowaway (2021)

By Ozymandias79 (94) on 08 Sep 2021

If you want a movie to watch before killing yourself, this is it…

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Review of Stowaway (2021)

By Ozymandias79 (94) on 08 Sep 2021

If you want a movie to watch before killing yourself, this is it…

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Review of The Empty Man (2020)

By Iamcritical86 (93) on 08 Sep 2021

Long, boring, dragged out and utterly confusing with a whole bunch of loose ends that lead up to a whole lot of NOTHING…

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Review of Halloween Kills (2021)

By Marshall Shaffer (93) for Slashfilm (971) on 08 Sep 2021

There's good reason to be excited for how Green will bring this all to a head in his grand finale…

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Review of Halloween Kills (2021)

By Ben Croll (93) for IndieWire (3,631) on 08 Sep 2021

If this bloody entr’acte, whose title addition works as both noun and verb, has little to offer but a jacked up body count on a bed of fan…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Mikesgold2K (80) on 08 Sep 2021

Jeden z najlepszych solowych filmów MCU, z genialnymi scenami walki oraz wschodnim vibem…

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Review of Halloween Kills (2021)

By Asher Luberto (79) for TheWrap (3,203) on 08 Sep 2021

Green seems less interested in rewriting the “Halloween” playbook than in giving audiences what they came for, from ghastly scares to a…

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Review of The Voyeurs (2021)

By Mark Hanson (70) for Slant Magazine (8,298) on 08 Sep 2021

It’s hard to deny that Michael Mohan’s preposterous fable doesn’t exert the dark pull of voyeurism itself…

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