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Review of The Alpinist (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 08 Sep 2021

There is a revealing narrative here: a conflict, a climax and a denouement that you may not expect…

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Review of Halloween Kills (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 08 Sep 2021

What Halloween Kills lacks in ideas it partially makes up for in gruesomely authentic slasher texture…

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Review of Halloween Kills (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 08 Sep 2021

Whatever else could be said about this competent and generally pretty entertaining latest addition to the series, surprising it is not…

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Review of Queenpins (2021)

By Amy Nicholson (961) for Variety (12,700) on 08 Sep 2021

Gaudet and Pullapilly argue, cheekily and convincingly, that the real crooks are the unseen conglomerates who’ve created a society that devalues…

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Review of Halloween Kills (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Sep 2021

Green has made exactly the kind of witless, worthless sequel that bled the franchise dry in the 1980s and ’90s…

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Review of The Card Counter (2021)

By Ignatiy Vishnevetsky (836) for The A.V. Club (5,644) on 08 Sep 2021

The grace notes—including a final shot that could, potentially, be Schrader’s most sublime—are lost among the inconsistencies, incomplete…

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Review of Kate (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 08 Sep 2021

It would be a stretch to call Kate a modern Western, but it has a certain gunslinger sensibility that mitigates any self-conscious edginess…

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Review of The Alpinist (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 08 Sep 2021

This is a movie, not a book or feature article…

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Review of Yakuza Princess (2021)

By Mike Mccahill (552) for The Guardian (2,969) on 08 Sep 2021

It’s been compiled with enthusiasm, flashes of skill, and a certain devil-may-care cheek – an infusion of newish blood for a Brazilian…

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Review of C'mon C'mon (2021)

By Richard Lawson (539) for Vanity Fair (761) on 08 Sep 2021

Mills makes this genre feel new and insightful, as if he’s one of only a few filmmakers who has tackled the complex dynamic between adult and child…

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Review of Halloween Kills (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 08 Sep 2021

After a genuinely promising beginning, Halloween Kills, already somewhat robbed of potential suspense by the fact we all know that another…

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Review of Fauci (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 08 Sep 2021

The strength of Fauci is its underlying theme, which is really not about Fauci at all…

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Review of The Year of the Everlasting Storm (2021)

By Pat Padua (495) for Washington Post (9,851) on 08 Sep 2021

The Year of the Everlasting Storm doesn’t end with catharsis, but even insects may have something to teach humanity: to endure the best way…

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Review of Halloween Kills (2021)

By Jonathan Romney (434) for The Guardian (2,969) on 08 Sep 2021

Forty years after John Carpenter made the defining slasher movie, director David Gordon Green has made a creditable stab, as it were, at reanimating…

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Review of Titane (2021)

By Kristy Puchko (422) for IGN (1,013) on 08 Sep 2021

Co-writer/director Julia Ducournau delivers a superb sophomore effort, which surpasses her cannibal horror-comedy Raw in provocative content…

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Review of We Need to Do Something (2021)

By Bertobellamy (400) on 08 Sep 2021

The first part is very intriguing, but it all becomes very repetitive very early…

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Review of Escape Room: Tournament of Champions (2021)

By Metacriticonur (388) on 08 Sep 2021

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Zone 414 (2021)

By Roxana Hadadi (336) for Polygon (677) on 08 Sep 2021

The ways Zone 414 lifts from its predecessors, borrowing elements from character development to costuming to questions about the utilitarianism…

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Review of The Alpinist (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 08 Sep 2021

Leclerc’s lack of introspection — you never forget his youth — puts a lot of pressure on the other talking heads…

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Review of Halloween Kills (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 08 Sep 2021

It all feels so rote and old-school, especially during such an exciting era for the genre (thanks to Jennifer Kent, Ari Aster, Jordan Peele,…

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