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Review of Reminiscence (2021)

By Rajeev102 (2) on 09 Sep 2021

Great movie about living our life again. acting is wonderfull wow. hugh jackman is great…

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Review of Cinderella (2021)

By Agarwel (2) on 09 Sep 2021

I would say this movie can be (in a way) compared to the Iron Sky or Kung Fury. It is stupid. It is ridiculously stupid…

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Review of Cinderella (2021)

By Henni (2) on 09 Sep 2021

This ambitious re-make of the old classic left me hanging with its badly written story-arcs and even worse casting…

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Review of Cinderella (2021)

By Henni (2) on 09 Sep 2021

This ambitious re-make of the old classic left me hanging with its badly written story-arcs and even worse casting…

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Review of Extinction (2015)

By Iclavdivs (1) on 09 Sep 2021

An atypical zombie flick…

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Review of Queenpins (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 08 Sep 2021

The first act of “Queenpins” makes you giddy at the comic possibilities, but the finale is the final straw in the letdown it too-quickly becomes…

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Review of Language Lessons (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 08 Sep 2021

Even in the film’s third act lurch into sheer melodrama, with brittle conversations carried out on eggshells, Morales and Duplass are wholly…

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Review of The Card Counter (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 08 Sep 2021

As a chance for Isaac to re-familiarize viewers with his serious side after spending three films in a galaxy far, far away, it’s effective…

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Review of Halloween Kills (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 08 Sep 2021

Halloween night may be Michael Myers’ masterpiece, but Halloween Kills is no masterpiece…

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Review of Small Engine Repair (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 08 Sep 2021

In less skilled hands, this could have come across as cynical and manipulative material, but Pollono is such a skilled wordsmith and the cast…

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Review of The Card Counter (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 08 Sep 2021

As the title character — a professional gambler with a lot behind him, and not much impulse to dredge it up — Oscar Isaac makes for a magnetic…

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Review of The Voyeurs (2021)

By Nick Schager (2,294) for Variety (12,700) on 08 Sep 2021

Writer-director Michael Mohan’s film plays like rehashed leftovers cooked up for young viewers who’ve never seen any of its superior inspirations…

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Review of Queenpins (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 08 Sep 2021

Writers and directors Aron Gaudet and Gita Pullapilly can’t seem to decided whether to make an offbeat comedy about two under-appreciated…

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Review of The Card Counter (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

With The Card Counter, Schrader has reverted to form, but he’s remade it anew at the same time. He’s done it again, with crafty, haunting power…

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Review of Everybody's Talking About Jamie (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

In the tradition of such bracing musicals as Kinky Boots, Billy Elliot and Prom, Everybody’s Talking About Jamie has exuberance to burn,…

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Review of Everybody's Talking About Jamie (2021)

By Ann Hornaday (1,919) for Washington Post (9,851) on 08 Sep 2021

In the tradition of such bracing musicals as Kinky Boots, Billy Elliot and Prom, Everybody’s Talking About Jamie has exuberance to burn,…

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Review of Small Engine Repair (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The results, although sporadically arresting, feel awkward, like a child wearing clothing a few sizes too big…

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Review of Best Sellers (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

That Best Sellers works to the extent that it does is a testament to Caine’s ultra-professionalism — he truly is a treasure who can make…

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Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

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Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

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