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Review of The Lost Daughter (2021)

By Tomris Laffly (460) for The Playlist (3,871) on 13 Sep 2021

The Lost Daughter leaves you haunted, shaken, and crushingly scarred like only the best of films are capable of doing…

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Review of The Eyes of Tammy Faye (2021)

By Kristy Puchko (422) for IGN (1,013) on 13 Sep 2021

Though Jessica Chastain delivers a heartfelt performance as Tammy Faye, her faith in the filmmakers can’t save this drama from falling flat…

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Review of Diamonds Are Forever (1971)

By Gracjanski (417) on 13 Sep 2021

The franchise is getting more and more dumb with more humour, that I dont like and action, that is outdated and unrealistic…

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Review of The Starling (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 13 Sep 2021

What could have been a thoughtful, poignant story about loss ended up being an unfortunate misfire…

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Review of Petite Maman (2021)

By Mae Abdulbaki (411) for Screen Rant (892) on 13 Sep 2021

Petite Maman is the kind of film that lays itself bare without ever being over-the-top, shaping itself into a story that lingers in one’s…

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Review of The Nowhere Inn (2021)

By Derek Smith (382) for Slant Magazine (8,298) on 13 Sep 2021

The film is elevated by funny, cleverly staged sequences, but it too often hammers the notion that fame destroys authenticity…

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Review of Belfast (2021)

By Monica Castillo (380) for The Playlist (3,871) on 13 Sep 2021

The parts of the movie that are going to resonate the most have the pacing they need to bring up one’s own memories of listening to a grandparent’s…

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Review of The Electrical Life of Louis Wain (2021)

By Monica Castillo (380) for TheWrap (3,203) on 13 Sep 2021

As tragic biopics go, The Electrical Life of Louis Wain isn’t interested in wallowing in misery…

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Review of The Electrical Life of Louis Wain (2021)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 13 Sep 2021

Boxily framed, the film tries out several visual looks, wandering tonally through its own aesthetic maze…

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Review of Benediction (2021)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The dialogue is quietly scathing, and the production values are sumptuous…

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Review of Benediction (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The dialogue is quietly scathing, and the production values are sumptuous…

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Review of Language Lessons (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 13 Sep 2021

Language Lessons is an alternately comforting and challenging watch, and between this and Morales’s other 2021 directorial effort, Plan B,…

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Review of Percy Jackson: Sea of Monsters (2013)

By Kai82 (336) on 13 Sep 2021

The first movie was entertaining despite being a poor adaptation of the books. The sequel however is a weaker movie and awful adaptation…

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Review of The Eyes of Tammy Faye (2021)

By Chris Evangelista (306) for Slashfilm (971) on 13 Sep 2021

Chastain gets some huge, showstopping moments – her final scene is genuinely terrific, and another scene that recreates Tammy Faye's on-air…

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Review of Belfast (2021)

By Chris Evangelista (306) for Slashfilm (971) on 13 Sep 2021

It's a handsomely-made film with a game cast, and it's clear that it's a very special project for Branagh…

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Review of The Electrical Life of Louis Wain (2021)

By Chris Evangelista (306) for Slashfilm (971) on 13 Sep 2021

The Electrical Life of Louis Wain is often quite charming and sweet. But there's an undercurrent of sadness running through the entire affair,…

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Review of The Eyes of Tammy Faye (2021)

By Clint Worthington (295) for Consequence (296) on 13 Sep 2021

It’s genuinely funny at times, but at two hours, it drags on for far too long, and Chastain suffers from having to hold up too much of the…

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Review of Belfast (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Sep 2021

Branagh’s most personal film is imperfect, but the emotion that it builds in the final section, as the family plays out a wrenching universal…

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Review of The Electrical Life of Louis Wain (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Sep 2021

Cumberbatch and Foy play beautifully together; the chemistry is palpable, and both performers know how to charm audiences without overselling…

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Review of Listening to Kenny G (2021)

By Clint Worthington (295) for Consequence (296) on 13 Sep 2021

It’s doubtful that die-hard Kenny haters will come away with a new understanding of or appreciation for the man…

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