Browse Movie Reviews - Page 2,987 of 258,691

59,721-59,740 of 5,173,807 Reviews

Sort by:

Review of Belfast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

It was the best of times, it was the worst of times, and this scattershot crowd-pleaser renders them both in such broad strokes that it seems…

Read Review

Review of The Electrical Life of Louis Wain (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

Sharpe’s portrait is so determined to capture the full rainbow of Wain’s singular hues that it soon becomes a muddled soup of mismatched quirks…

Read Review

Review of Benediction (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Sep 2021

This is a film that trembles with a need for redemption that never comes, and the urgency of that search is palpable enough that you can feel…

Read Review

Review of Predestination (2014)

By Thequietgamer (1,082) on 13 Sep 2021

What a ride…

Read Review

Review of The Card Counter (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

What’s discomforting about The Card Counter is that Schrader builds this strong moral backdrop for his characters and then allows them to…

Read Review

Review of The Nowhere Inn (2021)

By Anthony Lane (1,079) for The New Yorker (1,837) on 13 Sep 2021

As you’d imagine, the entire shebang is so naggingly self-referential, and so noisy with in-jokes, that it should, by rights, disappear up…

Read Review

Review of Benediction (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Sep 2021

This biographical drama, grounded in the anguished poetry of its protagonist, is hushed and decorous to a fault…

Read Review

Review of Benediction (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 13 Sep 2021

This biographical drama, grounded in the anguished poetry of its protagonist, is hushed and decorous to a fault…

Read Review

Review of Best Sellers (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 13 Sep 2021

Its mere existence is a win, though…

Read Review

Review of Sundown (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 13 Sep 2021

The result is an introspective character study caught against a gorgeous yet volatile backdrop…

Read Review

Review of Sundown (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 13 Sep 2021

The result is an introspective character study caught against a gorgeous yet volatile backdrop…

Read Review

Review of Murina (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 13 Sep 2021

Murina proves a coming-of-age tale dealing with more than the usual tropes of puppy love, sexual awakening, and identity-building…

Read Review

Review of The Guilty (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 13 Sep 2021

For most of its brisk 90 minutes, The Guilty is just Gyllenhaal, in tight close-up, constructing a movie out of sweat and tears alone: a glorified…

Read Review

Review of The Paper Tigers (2020)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Sep 2021

Tran adroitly layers the fight sequences, filmed with fluidity and at least substantially performed by the main actors themselves, between…

Read Review

Review of Hellraiser: Judgment (2018)

By Leslie Felperin (768) for The Guardian (2,969) on 13 Sep 2021

Where the first few Hellraisers had an interesting if somewhat icky erotic tang to them – alluding to S&M/fetish culture as much as horror,…

Read Review

Review of The Guilty (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Sep 2021

Guilty, for all its wild-eyed excess, does find some blunt-force propulsion for a while, particularly if you're coming to it new…

Read Review

Review of Malignant (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 13 Sep 2021

Wan’s never been the most technically adept or sophisticated storyteller, but his weaknesses as a filmmaker are especially apparent throughout…

Read Review

Review of Kate (2021)

By Mauro_Lanari (665) on 13 Sep 2021

(Mauro Lanari) Why label an exploitation film as action, once again produced by Leitch with 10 or 20 stunt performers for each actor, gory,…

Read Review

Review of Azor (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 13 Sep 2021

Set in Argentina in 1980, Azor is a quiet, unhurried, un-flashy film, and that's what makes it unnerving…

Read Review

Review of The Lost Daughter (2021)

By Jessica Kiang (522) for IndieWire (3,631) on 13 Sep 2021

Gyllenhaal’s film is a story of self-ascribed transgression and of shame buried and turned bitterly inward, and it too, is made with such…

Read Review

Page 2,987 of 258,691

This week at the cinema:

Latest movies at the cinema:

Highest rated movies this week:

Best movies of 2026:

May

2026

52%496 Reviews

Popular Movies Right Now

Dawn of the Planet of the Apes

2014

79%1,167 Reviews

Upgrade

2018

76%696 Reviews

The Killing of a Sacred Deer

2017

69%660 Reviews

Love

2015

54%174 Reviews

Split

2017

71%1,218 Reviews

Spider-Man: No Way Home

2021

79%458 Reviews

John Wick: Chapter 4

2023

78%170 Reviews

Spider-Man: Across the Spider-Verse

2023

85%233 Reviews

Mission: Impossible - Dead Reckoning Part One

2023

79%186 Reviews

The Platform

2019

70%94 Reviews