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Review of Cyrano (2021)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 13 Sep 2021

The important point is that the charm and poignancy of the original text survive. And Wright’s technical achievements are worth saluting…

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Review of The Guilty (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 13 Sep 2021

This is an engaging, no-frills entertainment that still fails to justify its reason for being…

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Review of The Lost Daughter (2021)

By Xan Brooks (287) for The Guardian (2,969) on 13 Sep 2021

I’m not convinced, on balance, that Gyllenhaal’s delicious drama is finally much more than a storm in a teacup…

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Review of Copshop (2021)

By Joseph Walsh (276) for Time Out (7,510) on 13 Sep 2021

Carnahan knows his way around an action sequence and delivers moments of bruising brutality with impact…

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Review of Belfast (2021)

By Steve Pond (235) for TheWrap (3,203) on 13 Sep 2021

The film feels true in the way it must be exploring Branagh’s memories of a tumultuous and confusing time, and the way it pays tribute to…

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Review of The Electrical Life of Louis Wain (2021)

By Gregory Ellwood (229) for The Playlist (3,871) on 13 Sep 2021

You can certainly respect Sharpe for taking a big swing in this regard, but he can’t bring the proceedings back to earth when the audience…

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Review of Kate (2021)

By Unclewillard (169) on 13 Sep 2021

Kate honestly started out okay for me. Seemed like a pretty, by the numbers techno thriller, but the fight scenes were excellent…

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Review of Malignant (2021)

By Jenny Nulf (101) for Austin Chronicle (7,653) on 13 Sep 2021

The camp in Malignant is fun, but if only the camp was all the film needed to be as monumental as Wan’s previous horror entries…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Miccael (99) on 13 Sep 2021

As a standalone movie, this is great introductionaty MARVEL movie. But this does not mean movie has no problems…

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Review of Fatman (2020)

By Marktakayama (92) on 13 Sep 2021

This is another mediocre movie by Mel Gibson. He did a great job, but the story was kind of weak. It might be a good movie for kids…

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Review of The Eyes of Tammy Faye (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The director, Michael Showalter (The Big Sick), and the screenwriters Abe Sylvia, along with Fenton Bailey and Randy Barbato who made the 2000…

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Review of Murina (2022)

By Ryan Lattanzio (73) for IndieWire (3,631) on 13 Sep 2021

A murky, vaguely sinister, but ultimately dreary coming-of-age film about a young woman’s blossoming sexuality under the spell of her mother’s…

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Review of Dune (2021)

By Mark Hanson (70) for Slant Magazine (8,298) on 13 Sep 2021

Dune ends up feeling like an extended prologue for what one can only hope will be a sequel that will clarify its parables and paradoxes…

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Review of The Mad Women's Ball (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Laurent is determined in mapping the depiction of the patriarchal violence endured under both the supposition of scientific method as well…

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Review of The Guilty (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Fuqua is reliable in his continued ability to craft tense and measured films for broad audiences looking for complicated tales of morality…

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Review of The Mad Women's Ball (2021)

By Marya E. Gates (65) for The Playlist (3,871) on 13 Sep 2021

Laurent’s portrait of women pushed to the edge of society, exploited, and tortured for the sake of progress is uncompromising and fearless…

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Review of The Starling (2021)

By Marya E. Gates (65) for The Playlist (3,871) on 13 Sep 2021

It’s nice to see McCarthy and O’Dowd in roles that showcase their emotional range; one just wishes it were in a project worthy of their talents…

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Review of Reminiscence (2021)

By Qgal5Kap (53) on 13 Sep 2021

My goodness. This is seriously weak sauce. I struggled to get through it, and ended up skipping quite a bit…

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Review of The Mad Women's Ball (2021)

By Steven Scaife (53) for Slant Magazine (8,298) on 13 Sep 2021

The film capsizes in the absence of a compelling center for Mélanie Laurent to hang her directorial panache…

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Review of Drive My Car (2021)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Drive My Car is a beautiful and mellow ride, although you’ll need to stretch your legs after it ends…

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