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Review of Red Notice (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 04 Nov 2021

The story is bland, the action incoherent, the surprises detestably nonsensical, the humour never rising above the level of a half-smirk…

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Review of The Beta Test (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 04 Nov 2021

A bold, raw, bordering-on-manic mashup of Eyes Wide Shut, Ivans XTC and HBO’s Entourage, the new thriller-cum-satire The Beta Test is here…

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Review of Red Notice (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

For all the outsize fight scenes and casual profanity though, the whole thing is oddly bloodless…

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Review of The Souvenir: Part II (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

Nothing in Souvenir Part II is obvious; one could argue it's even obtuse to the point of excluding most casual moviegoers…

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Review of Antlers (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Nov 2021

For all its eerie scene-setting and squishy entrails, Antlers never really exposes the emotional guts of its narrative beyond the scope of…

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Review of The Last Forest (2021)

By Guy Lodge (731) for Variety (12,700) on 04 Nov 2021

Rather than taking a detached anthropological tour of the community, Bolognesi lets the Yanomami present themselves in their own words and…

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Review of Valley of the Gods (2020)

By Mauro_Lanari (665) on 04 Nov 2021

(Mauro Lanari) With a visionariness that wants to confront that of Kubrick, Noé, Van Dormael, Aronofski, Welles, Trier, the first Herzog,…

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Review of Red Notice (2021)

By Matt Singer (625) for ScreenCrush (954) on 04 Nov 2021

Until today, I’m not sure I would have believed a movie with this much theoretical “excitement” could be so boring…

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Review of The King (2019)

By Geewah (593) on 04 Nov 2021

While far from perfect, this is a well directed movie from Michod that benefits from fine performances from Chalamet, Edgerton & Pattinson…

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Review of Dead & Beautiful (2021)

By Cath Clarke (570) for The Guardian (2,969) on 04 Nov 2021

Director David Verbeek’s script doesn’t quite wield the scalpel with enough sadistic glee…

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Review of Red Notice (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 04 Nov 2021

Red Notice barely feels like a film, which is fine…

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Review of The Electrical Life of Louis Wain (2021)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 04 Nov 2021

Wain's psychosis is shown from the inside, the Victoriana giving way to psychotronic visions that re-create Wain's futurism and dalliances…

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Review of Finch (2021)

By Richard Lawson (539) for Vanity Fair (761) on 04 Nov 2021

There is genuine familial chemistry between Hanks and Landry Jones, effervescing even through the layer of computer wizardry that led to Jeff’s…

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Review of Spencer (2021)

By David Sims (534) for The Atlantic (1,046) on 04 Nov 2021

Coupled with Stewart’s exposed nerve of a performance, the suffocating intensity of Larraín’s filmmaking, and Jonny Greenwood’s droning…

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Review of The Souvenir: Part II (2021)

By David Sims (534) for The Atlantic (1,046) on 04 Nov 2021

It’s a specific character study told with the ambition that small, arty projects are rarely afforded—a complex and deeply realized story…

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Review of Spencer (2021)

By Jake Coyle (526) for The Associated Press (882) on 04 Nov 2021

Spencer may be a let down as a story about Diana, but as an exaggerated portrait of Stewart, it’s magnetic…

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Review of Playground (2022)

By Jessica Kiang (522) for Variety (12,700) on 04 Nov 2021

Wandel’s immersive, impressive debut is rigorous in its resolute focus on one little girl fighting a lonely, frightened battle for her future…

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Review of Playground (2022)

By Jessica Kiang (522) for Variety (12,700) on 04 Nov 2021

Wandel’s immersive, impressive debut is rigorous in its resolute focus on one little girl fighting a lonely, frightened battle for her future…

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Review of Mothering Sunday (2021)

By Anna Smith (519) for Time Out (7,510) on 04 Nov 2021

Mothering Sunday isn’t exactly a cheery watch, but it’s an intelligent, affecting British drama with a splash of French sensuality…

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Review of The Beta Test (2021)

By Katie Rife (451) for The A.V. Club (5,644) on 04 Nov 2021

Cummings and McCabe zero in on an angle they do understand—the death scream of the untouchably powerful man—and can make fun of with precision…

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