Browse Movie Reviews - Page 2,762 of 258,691

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Review of King Richard (2021)

By Robbie Collin (1,612) for The Telegraph (1,120) on 04 Nov 2021

It’s lots of fun until you notice it doesn’t quite add up…

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Review of Red Notice (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Nov 2021

So much money, so much charm, so much movie, and yet it adds up to so very little…

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Review of Best Sellers (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Nov 2021

As an undemanding pas de deux, it’s sweet enough…

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Review of Dear Evan Hansen (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Nov 2021

On all fronts, you wish that Dear Evan Hansen had nothing to do with Evan Hansen…

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Review of Venom: Let There Be Carnage (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Nov 2021

The film satisfies all the same, because they’ve figured out what a great stand-up routine Venom can do this time, and Hardy has settled…

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Review of Benediction (2021)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Nov 2021

The sheer depth of Sassoon's personal misery feels like a brutally unfashionable thing for a contemporary film to confront, but Davies, who’s…

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Review of Benediction (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 04 Nov 2021

The sheer depth of Sassoon's personal misery feels like a brutally unfashionable thing for a contemporary film to confront, but Davies, who’s…

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Review of Red Notice (2021)

By Peter Debruge (1,557) for Variety (12,700) on 04 Nov 2021

A fun, fast-paced and frequently amusing divertissement…

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Review of Red Notice (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Nov 2021

A depressing reminder of what Hollywood considers “original” material these days, “Red Notice” plays one of those self-consciously…

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Review of Spencer (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Nov 2021

The royal family’s travails have long been likened to that of a soap opera, but Spencer, even as it conjures the emotional extravagance of…

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Review of Finch (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 04 Nov 2021

Among the charms of Finch is its willingness not to overexplain, trusting our patience while involving us visually…

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Review of The Harder They Fall (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 04 Nov 2021

To call The Harder They Fall transgressive would be giving it too much credit: Its various outrages are obnoxious because they have so little…

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Review of Spencer (2021)

By Geoffrey Macnab (1,253) for The Independent (259) on 04 Nov 2021

Stewart’s febrile, sensitive performance and Larraín’s trademark lyricism give it an emotional kick that such predecessors lacked…

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Review of Last Night in Soho (2021)

By Geoffrey Macnab (1,253) for The Independent (259) on 04 Nov 2021

It is hard not to wish Wright had made an entire film set in the Soho of the Sixties rather than one that pays tribute to it through the prism…

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Review of The Deep House (2021)

By Dennis Harvey (1,137) for Variety (12,700) on 04 Nov 2021

The tension provided by dank claustrophobia and threat of suffocation, as air supplies dwindle, makes this house a very scary place to be…

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Review of Cicada (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 04 Nov 2021

The absorbing romantic drama Cicada feels as real as it gets…

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Review of Cicada (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 04 Nov 2021

The absorbing romantic drama Cicada feels as real as it gets…

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Review of Speer Goes to Hollywood (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 04 Nov 2021

The movie is nothing if not unnervingly timely…

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Review of Finch (2021)

By Brian Lowry (913) for CNN (497) on 04 Nov 2021

Director Miguel Sapochnik (Game of Thrones) does what he can to wring the maximum amount of emotion out of this unlikely trio, finding moments…

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Review of Spencer (2021)

By A.a. Dowd (854) for The A.V. Club (5,644) on 04 Nov 2021

Stewart never seems to find an emotional reality for the icon she’s playing; the resonance begins and ends with the stunt casting of one…

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