Browse Movie Reviews - Page 2,692 of 258,691

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Review of tick, tick... BOOM! (2021)

By Richard Brody (868) for The New Yorker (1,837) on 16 Nov 2021

Unfortunately, Garfield isn’t a musical force of nature or anything close…

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Review of tick, tick... BOOM! (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 16 Nov 2021

Garfield is funny and charismatic to draw us in and devastating when presenting the palpable shame that keeps us caring…

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Review of King Richard (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 16 Nov 2021

The movie keeps enough of Richard’s messy past off screen to feel like a hagiography with a few concessions, rather than a true warts-and-all…

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Review of tick, tick... BOOM! (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 16 Nov 2021

In terms of musical-theatre bona fides and genuine, soaring emotion, Tick, Tick … Boom! drowns out its contemporaries all the way up to the rafters…

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Review of C'mon C'mon (2021)

By Mike D'angelo (730) for The A.V. Club (5,644) on 16 Nov 2021

Mills’ core insight remains the same in every film: We’re all screwed up to some degree, all constantly improvising, all doing the best…

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Review of Storm Boy (2019)

By Mauro_Lanari (665) on 16 Nov 2021

(Mauro Lanari) Second film adaptation, after Henri Safran's 1976 one, of the 1964 classic of Colin Thiele's children's literature, which has…

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Review of The Deep House (2021)

By Panchogul (602) on 16 Nov 2021

Que película tan mala, no transmite nada, las actuaciones son planas y el guión es mediocre como mucho…

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Review of Ghostbusters: Afterlife (2021)

By Brian Truitt (541) for USA Today (4,117) on 16 Nov 2021

While teenage star Mckenna Grace infuses the aging property with a needed burst of youthful energy, co-writer/director Jason Reitman (son of…

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Review of Overlord (2018)

By Voodoo123 (536) on 16 Nov 2021

+Talented cast deliver memorable performances +Very impressive visual and practical effects +Decent soundtrack +Great cinematography, direction…

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Review of Prayers for the Stolen (2021)

By Jessica Kiang (522) for Variety (12,700) on 16 Nov 2021

The film may be called “Prayers for the Stolen,” but it is much more a heartbroken lament for the circuits that are broken when the stealing…

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Review of Children of the Enemy (2021)

By Jessica Kiang (522) for Variety (12,700) on 16 Nov 2021

An abundance of earnestness is hardly a fatal flaw in a story as innately complex and moving as this one, especially once it moves beyond its…

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Review of Encanto (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 16 Nov 2021

Every character, even minor ones, is well thought out and cast; the eye-popping visual design is not only inspired and mesmerizing but also…

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Review of A Choice of Weapons: Inspired by Gordon Parks (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 16 Nov 2021

Perhaps no one documentary can do justice to Parks…

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Review of King Richard (2021)

By Mark Feeney (434) for Boston Globe (6,852) on 16 Nov 2021

King Richard is a movie, not a miniseries; and part of what makes Baylin’s screenplay so effective is his knowing what to leave out as well…

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Review of King Richard (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 16 Nov 2021

King Richard is half sports movie, half biopic. As such, it hits the sweet spots and sour notes of both genres…

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Review of 7 Prisoners (2021)

By Bertobellamy (400) on 16 Nov 2021

I don't know. This is not a terrible film, but I think it's not that far from being misery porn…

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Review of Bruised (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 16 Nov 2021

The superb fight choreography and committed execution by the two women in the ring (real-life UFC champ Valentina Shevchenko is convincing…

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Review of Licorice Pizza (2021)

By Chris Evangelista (306) for Slashfilm (971) on 16 Nov 2021

I don't want to get too hyperbolic here, but watching Licorice Pizza reminded me why I love movies so much; particularly the way they can drop…

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Review of Licorice Pizza (2021)

By Clint Worthington (295) for Consequence (296) on 16 Nov 2021

It’s undoubtedly one of the best films of the year, and of Anderson’s career…

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Review of Ghostbusters: Afterlife (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 16 Nov 2021

Though flattering through and through, the film is ironically removed from the charms of the worshipped original…

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