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Review of Encanto (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 16 Nov 2021

I found Encanto more aggravating than entertaining…

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Review of Brian Wilson: Long Promised Road (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 16 Nov 2021

Long Promised Road, taking its title from a lesser-known tune by the band, is a celebration of the glorious third act of a performer whose…

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Review of The Power of the Dog (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 16 Nov 2021

The Power of the Dog is a beautifully composed work by a filmmaker at the height of her powers. It deserves our attention…

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Review of Bruised (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 16 Nov 2021

It’s the MMA version of Million Dollar Baby meets Rocky in Halle Berry’s directorial debut Bruised, a well-acted and occasionally involving…

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Review of Ghostbusters: Afterlife (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 16 Nov 2021

When it’s time to answer the question of Who ya gonna call, Ghostbusters: Afterlife comes across as a well-intentioned and sincere but unfortunate…

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Review of tick, tick... BOOM! (2021)

By Bill Goodykoontz (2,123) for Arizona Republic (3,909) on 16 Nov 2021

Thanks to Larson’s songs, Miranda’s directing and generous, inspired acting — particularly from Garfield, who manages to be lovable and…

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Review of King Richard (2021)

By Moira Macdonald (1,892) for The Seattle Times (964) on 16 Nov 2021

King Richard, though perhaps a tad overlong, is as irresistible as the young legends at its center; you watch with pleasure, thinking of the…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Tvjerry (1,783) on 16 Nov 2021

Wes Anderson’s latest may be his most accomplished and precious yet…

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Review of Ghostbusters: Afterlife (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 16 Nov 2021

Shamelessly catering to fans of the original film, while giving them nothing new, its story and humor are also inexplicably calibrated for…

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Review of The First Wave (2021)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 16 Nov 2021

The First Wave feels simultaneously hard to watch and vital, tragic and uplifting, like a backward glimpse over our shoulder at a period of…

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Review of Mayor Pete (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

As the focus of Mayor Pete, a fascinating chronicle of his 2019-2020 campaign, he’s living proof that decency, integrity, and liberty and…

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Review of Belfast (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

The memories are vivid, but there’s no plot to connect them, and the film is rendered almost totally incomprehensible by accents as thick…

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Review of Prayers for the Stolen (2021)

By Wendy Ide (1,500) for Screen Daily (1,021) on 16 Nov 2021

Huezo’s picture, which is loosely adapted from a novel by Jennifer Climent, is distinctive in its child’s-eye-view of this most abnormal…

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Review of Prayers for the Stolen (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 16 Nov 2021

The result is a film made of loosely connected scenes, the best ones floating between observation and storytelling, not unlike a dream…

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Review of Children of the Enemy (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 16 Nov 2021

The dire theme of innocent children being blamed for “the sins of the father” — and the attendant social and political turbulence they…

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Review of Red Notice (2021)

By Thequietgamer (1,082) on 16 Nov 2021

Featuring three of the biggest stars currently working and a budget of $200 million, Netflix's latest attempt at bringing a Hollywood caliber…

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Review of Prayers for the Stolen (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 16 Nov 2021

As a portrait of a besieged community carrying on as best it can, the film is keenly observed, its character observations lucid and engrossing…

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Review of The Power of the Dog (2021)

By Brian Lowry (913) for CNN (497) on 16 Nov 2021

The Power of the Dog is such a delicately constructed movie as to almost defy the ability to review it without saying too much…

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Review of Kurt Vonnegut: Unstuck in Time (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 16 Nov 2021

The film pulls back the veil on Kurt Vonnegut to show how a gloomy dissatisfaction brooded underneath his quippy surface personality…

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Review of The First Wave (2021)

By Chris Barsanti (896) for Slant Magazine (8,298) on 16 Nov 2021

Matthew Heineman’s documentary successfully emphasizes how people’s emotions were whipsawed by an unprecedented crisis…

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