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Review of Nightmare Alley (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 16 Dec 2021

It’s a film noir in much the same way that “Crimson Peak” was a horror movie: Feverishly and often magnificently overwrought, it treats…

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Review of Swan Song (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 16 Dec 2021

The actor and his director may be addressing the oldest subject in drama. But they manage to give it a new twist nonetheless…

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Review of The Tender Bar (2021)

By Robert Abele (1,309) for TheWrap (3,203) on 16 Dec 2021

It’s surprising that this effort from Clooney is as flavorless and unrooted as it is, because his better directorial turns are the ones grounded…

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Review of The Novice (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 16 Dec 2021

Hadaway’s previous career as a sound editor is all over this piece, as is her personal experience as a collegiate rower…

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Review of The Tender Bar (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 16 Dec 2021

It’s such an astute and warmhearted journey that it’s hard not to succumb to its underdog charms…

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Review of Margrete: Queen of the North (2021)

By Michael Rechtshaffen (1,086) for Los Angeles Times (12,977) on 16 Dec 2021

Throughout, both the character and the film constantly keep one guessing as to whether Margrete’s driving impulse leans more in the direction…

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Review of Fortress (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Dec 2021

As a distraction, Bressack and the screenwriter Alan Horsnail surround their indifferent lead with tinsel…

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Review of Fortress (2021)

By Amy Nicholson (961) for The New York Times (9,847) on 16 Dec 2021

As a distraction, Bressack and the screenwriter Alan Horsnail surround their indifferent lead with tinsel…

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Review of Apostle (2018)

By Broyax (884) on 16 Dec 2021

Vers le début du XXème siècle, un gars infiltre une communauté de fanatiques complètement fêlés afin de libérer sa soeur détenue en…

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Review of Juice WRLD: Into the Abyss (2021)

By Ben Kenigsberg (863) for The New York Times (9,847) on 16 Dec 2021

“Into the Abyss,” which mixes material from Juice WRLD’s tour stops with interviews and hangout and recording vignettes, isn’t particularly…

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Review of A Naija Christmas (2021)

By Lisa Kennedy (833) for The New York Times (9,847) on 16 Dec 2021

This romp about three brothers trying to make their mother’s holiday wish a reality is festive and illuminating…

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Review of The Tender Bar (2021)

By Jesse Hassenger (800) for The A.V. Club (5,644) on 16 Dec 2021

The one performer in the ensemble capable of making this stuff sound like the good kind of bullshitting is Affleck…

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Review of Nine Days (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 16 Dec 2021

Although arguably a smidge too ponderous and self-serious for its own good, Nine Days still represents a reasonably promising debut for its…

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Review of Spider-Man: No Way Home (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Dec 2021

The way that the movie eventually manages to bridge all those multiplicities and pull them into focus feels both obvious and ingenious…

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Review of The Lost Daughter (2021)

By Guy Lodge (731) for Los Angeles Times (12,977) on 16 Dec 2021

It’s not at all surprising that Gyllenhaal has arrived as a filmmaker with such a bold, conflicted paean to unorthodox femininity…

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Review of Nightmare Alley (2021)

By Guy Lodge (731) for Rolling Stone (4,035) on 16 Dec 2021

You can always count on del Toro to put the “grand” in Grand Guignol…

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Review of A Journal for Jordan (2021)

By Kate Erbland (681) for IndieWire (3,631) on 16 Dec 2021

No, it’s not what you’re expecting, and what it is isn’t very good, either…

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Review of Spider-Man: No Way Home (2021)

By David Sims (534) for The Atlantic (1,046) on 16 Dec 2021

Spider-Man: No Way Home unfolds as though it were written by a room full of children who had just eaten a whole bag of sugar; it’s a hectic…

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Review of Margrete: Queen of the North (2021)

By Jessica Kiang (522) for Variety (12,700) on 16 Dec 2021

The slower stretches — like the entire first hour — have a tendency to plod, which gives ample opportunity to feast your eyes on Søren…

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Review of Swan Song (2021)

By Nicolas Rapold (488) for The New York Times (9,847) on 16 Dec 2021

Any mind-bending conceit or special effect pales before Ali’s incredibly fine-tuned talents…

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