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Review of Spider-Man: No Way Home (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 16 Dec 2021

The supercharged CGI effects are fine and the battles are eye-popping, but the character interactions make No Way Home work…

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Review of Swan Song (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

Mahershala Ali gives a heartfelt performance in this elegant and rather melancholy sci-fi mystery with which Irish film-maker Benjamin Cleary…

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Review of The Lost Daughter (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

What is great about Colman’s performance is that it is always teetering on the brink of some new revelation about Leda: her face is subtly…

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Review of The Tender Bar (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

George Clooney has long been a force for good in movies and public life – but what a bafflingly bland, indulgent, gritless oyster of a film…

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Review of The Tender Bar (2021)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 16 Dec 2021

Tender Bar is a lovely movie — so long as it stays within a half mile radius of the bar. When it drifts from the bar, it collapses…

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Review of The Novice (2021)

By Owen Gleiberman (3,271) for Variety (12,700) on 16 Dec 2021

Isabelle Fuhrman infuses Dall with an ambiguous glower of ambition that’s scary and human…

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Review of The Lost Daughter (2021)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 16 Dec 2021

Maggie Gyllenhaal’s The Lost Daughter is a chilling and unnerving psychological horror film brimming with dicey characters who are capable…

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Review of Spider-Man: No Way Home (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 16 Dec 2021

Holland provides the glue and the webbing for the latest Spidey outing Spider-Man: No Way Home…

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Review of Red Rocket (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 16 Dec 2021

The first hour is terrific; the second one, disappointingly, grows weaker and more conventional…

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Review of Nightmare Alley (2021)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 16 Dec 2021

The film operates on a peculiar, somewhat languid rhythm, and there are times when the story’s needs take a back seat to the visual detail…

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Review of The Lost Daughter (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 16 Dec 2021

Ms. Gyllenhaal might have chosen conventionally entertaining material for her first time behind the camera, but she and Ms…

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Review of Spider-Man: No Way Home (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 16 Dec 2021

Mr…

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Review of Nightmare Alley (2021)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 16 Dec 2021

Nightmare Alley is, in its entirety, a beautifully visualized period piece that holds our attention and evokes plenty of horror, to be sure,…

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Review of The Tender Bar (2021)

By A.o. Scott (2,100) for The New York Times (9,847) on 16 Dec 2021

It’s not the kind of movie that will knock you out, but it won’t leave you with a headache and a dry mouth, either…

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Review of Licorice Pizza (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 16 Dec 2021

Featuring a pair of novice performances that will either make the actors stars or preserve them in cinematic amber as these exact characters,…

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Review of Drive My Car (2021)

By Josh Larsen (2,042) for LarsenOnFilm (1,412) on 16 Dec 2021

As Yusuke Kafuku, the theater director, Hidetoshi Nishijima delivers a master class in withholding, while still giving the audience everything…

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Review of Nightmare Alley (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Dec 2021

Del Toro is a world builder, but he can have a tough time bringing his creations to life, which is the case here despite the hard work of his…

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Review of Spider-Man: No Way Home (2021)

By Manohla Dargis (1,909) for The New York Times (9,847) on 16 Dec 2021

Her casting as MJ and her expanded role in the series continue to pay off, and Zendaya’s charisma and gift for selling emotions (and silly…

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Review of The Lost Daughter (2021)

By Noel Murray (1,901) for The A.V. Club (5,644) on 16 Dec 2021

For most of the movie’s running time, Gyllenhaal pulls off a remarkable trick, turning everyday inconveniences like rotting fruit and rude…

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Review of The Scary of Sixty-First (2021)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 16 Dec 2021

There were moments during The Scary of Sixty-First when I was convinced I was watching a botched horror-comedy…

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