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Review of The Tender Bar (2021)

By John Anderson (1,358) for Wall Street Journal (3,071) on 06 Jan 2022

Generic booze is, in its way, a shortcut, something pretending to be something else—something achieved through time, effort and expense…

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Review of The 355 (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 06 Jan 2022

The 355 is the kind of star-packed, glossy adventure that wants to be the launching pad for a franchise; instead, it’s going to be one of…

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Review of Jude (1996)

By Dawdlingpoet (1,123) on 06 Jan 2022

A bleak and sobering watch, this film has good central performances from Christopher Eccleston and Kate Winslet…

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Review of Mouthpiece (2019)

By Dawdlingpoet (1,123) on 06 Jan 2022

This film is quite thoughtful - it has a real theatrical feel to it. It didn't surprise me its based on a play…

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Review of See for Me (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 06 Jan 2022

See for Me positions itself as an unfair tale of “easy target versus evil men,” but highlights its strongest material when valuing people…

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Review of The 355 (2022)

By Amy Nicholson (961) for The New York Times (9,847) on 06 Jan 2022

The filmmaking deserves credit for refusing to leer as the ladies convincingly kick and punch — all focus is on the stunts, not on sex appeal…

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Review of The 355 (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 06 Jan 2022

It’s all quite watchable and not without suspense, but the characters reveal too little emotional depth or complexity to make us care much…

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Review of The 355 (2022)

By Brian Lowry (913) for CNN (497) on 06 Jan 2022

Showcasing a thrown-together international team of female spies, The 355 mostly feels like the pilot for a TV series, just with an inordinately…

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Review of The 355 (2022)

By David Fear (910) for Rolling Stone (4,035) on 06 Jan 2022

There’s so much wasted potential here, so little sense of how to get across a notion of solidarity in the face of catastrophic danger, and…

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Review of Licorice Pizza (2021)

By David Jenkins (910) for Little White Lies (3,136) on 06 Jan 2022

Licorice Pizza is a slow-release product, something that creeps up on you, inveigles its way into your conscience…

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Review of Don't Look Up (2021)

By Richard Brody (868) for The New Yorker (1,837) on 06 Jan 2022

The failure of topicality in “Don’t Look Up” is, not least, that the movie’s cynically apolitical view of politics contributes to the…

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Review of The 355 (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 06 Jan 2022

Kruger and Nyong’o elevate the material to a level it probably doesn’t deserve with Chastain and Cruz following closely behind…

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Review of The 355 (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 06 Jan 2022

Doggedly mediocre actioner The 355 is the cinematic equivalent of gathering together Formula 1’s finest drivers and tossing them the keys…

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Review of Love Actually (2003)

By Alejandro970 (859) on 06 Jan 2022

A romantic comedy, of a traditional recipe, it is; but this one knows how to do just enough to not seem like one more of the bunch, based on…

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Review of The Informant! (2009)

By Alejandro970 (859) on 06 Jan 2022

Do you believe in conspiracy theories? Think twice…

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Review of The Power of the Dog (2021)

By Alejandro970 (859) on 06 Jan 2022

One of the best examples that the western genre still has material to tell…

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Review of The 355 (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 06 Jan 2022

If playwright Theresa Rebeck, who receives co-writing and story credit, brought a fresher perspective to this material at some point, it has…

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Review of The Commando (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 06 Jan 2022

The Commando contains a number of egregious implausibilities and cliches…

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Review of The 355 (2022)

By Kate Erbland (681) for IndieWire (3,631) on 06 Jan 2022

While The 355 might not be the boundary-busting breakthrough it was sold as, it’s something better: a solid spy flick that adds something…

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Review of Antlers (2021)

By Mauro_Lanari (665) on 06 Jan 2022

(Mauro Lanari) Cooper hopes his several ideas would somehow stick and Antlers strives to be a supernatural horror rooted in indigenous folklore,…

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