Browse Movie Reviews - Page 2,387 of 258,691

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Review of Dune (2021)

By Mauro_Lanari (665) on 06 Jan 2022

(Mauro Lanari) Mirrors and copulation are abominable, since they both multiply the numbers of men (Borges, 1940)…

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Review of American Siege (2022)

By Cath Clarke (570) for The Guardian (2,969) on 06 Jan 2022

The problem with Bruce Willis in the movie is that he’s not doing something that he is supposed to be doing: acting…

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Review of Munich - The Edge of War (2021)

By Ian Freer (515) for Empire (3,446) on 06 Jan 2022

An enjoyable World War II spy flick, Munich: The Edge Of War scores with strong performances and filmmaking craft, but is let down by a lack…

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Review of The Lost Daughter (2021)

By Alissa Wilkinson (499) for Vox (725) on 06 Jan 2022

The movie captures the spirit of the novel well…

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Review of The 355 (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 06 Jan 2022

Films such as The 355 live and die by the quality of their action set pieces and while there’s a propulsive pace to the proceedings, there’s…

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Review of The 355 (2022)

By Katie Rife (451) for The A.V. Club (5,644) on 06 Jan 2022

In a spy thriller, a woman who drinks her whiskey neat—girlbosses never dilute—and kicks men in the face wearing a stacked heel has become…

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Review of The 355 (2022)

By Mark Olsen (451) for Los Angeles Times (12,977) on 06 Jan 2022

Despite a few scattered moments, the team-up action of The 355 never fully comes together…

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Review of The 355 (2022)

By Mark Feeney (434) for Boston Globe (6,852) on 06 Jan 2022

The dialogue is as pedestrian as the plotting is far-fetched…

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Review of The 355 (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 06 Jan 2022

The 355, directed by Simon Kinberg (“X-Men: Dark Phoenix”) who co-wrote with Theresa Rebeck (“Smash”), is not an instant classic by…

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Review of The 355 (2022)

By Helen O'hara (407) for Empire (3,446) on 06 Jan 2022

The chases, fights and fun bits of spy craft are brightly and pacily shot, but the 'twists' are barely surprising…

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Review of The 355 (2022)

By Alan Ng (404) for Film Threat (5,156) on 06 Jan 2022

The 355 is good old action fun with a well-constructed story and better than all of the bad James Bond movies. That’s right, Octopussy…

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Review of The Wasteland (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 06 Jan 2022

The Wasteland is the unique case of a horror movie with a more robust visual sense than a lot of its contemporaries, but that still doesn’t…

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Review of The 355 (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 06 Jan 2022

Given how poorly made, poorly written, and poorly crafted “The 355” is —with action that is casually visceral, but actually borderline…

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Review of The 355 (2022)

By Fionnuala Halligan (367) for Screen Daily (1,021) on 06 Jan 2022

Despite the keep-it-open ending, it seems clear that Chastain has an idea, and not a franchise; that Simon Kinberg (X-Men) works better as…

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Review of The Lost Daughter (2021)

By Caryn James (352) for BBC (137) on 06 Jan 2022

The story has its moments of suspense, especially when Nina's child wanders off from the beach…

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Review of The Lost Daughter (2021)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

It’s difficult to believe The Lost Daughter is Gyllenhaal’s feature directorial debut…

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Review of The 355 (2022)

By Robert Daniels (336) for Polygon (677) on 06 Jan 2022

Though The 355 tries to maneuver with the kinetic verve of a globetrotting adventure, the marks of shooting on generic sets are all over this film…

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Review of The 355 (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 06 Jan 2022

The film treats its premise as the backdrop for a trite celebration of empowerment and teamwork among professional women…

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Review of The Last Duel (2021)

By Dharma (271) on 06 Jan 2022

Ridley Scott has done it again. Why this film flopped has more to do with Covid than anything else…

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Review of Munich - The Edge of War (2021)

By Phil De Semlyen (265) for Time Out (7,510) on 06 Jan 2022

There’s something deeply moving, almost tragic, about a good man being slowly enveloped by the dark times around him. Munich captures it nicely…

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