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Review of The Power of the Dog (2021)

By Inmyday (1) on 24 Feb 2022

OMG soooo boring. The first two times I tried to watch it I fell asleep. Had to drink a Red Bull on the third attempt just to stay awake…

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Review of Uncharted (2022)

By Igknightthefire (1) on 24 Feb 2022

This could've turned out a lot worse. Sure its incredibly generic and mis cast. But there is still fun to be had with the film…

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Review of AI Love You (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

The computer in a human body thing could have delivered laughs, but the slapstick is limited and Mauro’s jerky motions, quizzical looks and…

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Review of 10 Truths About Love (2023)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

10 Truths About Love plays as about eight truths under budget, a parsimonious rom-com that needed a better script, better director, funnier…

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Review of Big Gold Brick (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

No social, psychological or satiric point is made. No laughs are scored…

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Review of I'll Find You (2019)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

I’ll Find You comes off like a lot of the lip-sync’d singing and mimed playing of the actors portraying musicians — fake and lacking…

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Review of Studio 666 (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

If you love Foo Fighters and have a soft spot for the “splattertoons” corner of horror, you won’t want to miss Studio 666…

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Review of Texas Chainsaw Massacre (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

The acting is bad, but the script is “Do you want fries with that…

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Review of Through My Window (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

There’s Barcelona scenery and sex, posh parties and sex, and obvious foreshadowing and melodrama at every turn. Subtle? Not in the least…

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Review of Love Tactics (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

It’s not the least bit original, which is no cardinal sin. But without the laughs, “Love Tactics” plays like a travelogue with kissing…

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Review of Into the Wind (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

When you set your romance against the most aesthetically pleasing watersport of them all — kite surfing — you’d better make sure the…

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Review of King Knight (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Stone cold sober, King Knight is a bit of a sweet-spirited grind, funny intent delivering funny moments that are so scattered the picture never…

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Review of The Other Me (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Whatever Agladze was getting at about the difference between sight and “seeing,” plumbing the obscurant Other Me to discern it isn’t…

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Review of Too Cool to Kill (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Every sequence has gags that just kill, situations that are a hoot in the making…

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Review of A Grand Romantic Gesture (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

A Grand Romantic Gesture is a wistful romance in a minor key, a flash of “love, the second (or maybe last) time around” with no flash at all…

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Review of Fresh (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Screenwriter Lauryn Kahn and director Mimi Cave take a broad swipe at “Just give me a smile,” sexism and the objectification of women…

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Review of Last Man Down (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

As action pictures go, this one isn’t exciting enough to make up for the tedious pacing or the outright silliness of the script and the woodenness…

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Review of Cyrano (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Cyrano is meant to make you cry, and this musical and its star do, and more than once…

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Review of Who We Are: A Chronicle of Racism in America (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

Robinson’s purpose here is to cut through the lies, propaganda and rhetoric and look at what all those folks so anxious to ban and even burn…

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Review of Hellbender (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Feb 2022

The acting can feel flat and unpolished, and the intimacy of the story is both an asset and a limitation to its ambitions…

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