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Review of Everything Everywhere All at Once (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 21 Mar 2022

Without question, “Everything Everywhere All at Once” is a remarkable piece of work, one of the most original and creative films of the…

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Review of Deep Water (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 21 Mar 2022

Toward the end, Deep Water grows less ambiguous and more conventional, but the rest of it is actually well suited to Lyne’s fetishistic style,…

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Review of The Outfit (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 21 Mar 2022

What Moore’s film strives toward, and touches only erratically, is an emotional claustrophobia to match its physical squeeze…

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Review of Everything Everywhere All at Once (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 21 Mar 2022

The film, which uses the gimmick of jumping between parallel universes to explore, essentially, how to be your best self, is awash in zany…

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Review of Paris, 13th District (2021)

By Mark Kermode (1,002) for The Observer (UK) (826) on 21 Mar 2022

This is a playfully sensuous affair that wonders what happens to slow-burn intimacy when mediated by the urgency of the online world…

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Review of Dark Star (1974)

By Broyax (884) on 21 Mar 2022

Une bien étrange « curiosité » que cette « étoile noire » dans la carrière de John Carpenter, faiseur émérite bien connu de nanars…

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Review of Umma (2022)

By Jim Slotek (879) for Original-Cin (1,156) on 21 Mar 2022

Despite Oh’s solid fear-filled performance, Amanda’s inevitable possession seems to take forever in an 87-minute movie, and the inevitable…

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Review of The Outfit (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 21 Mar 2022

With its crisply likable leads mixing it up with pleasingly chewy gangster stereotypes, it has the consistency of a good candy bar…

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Review of You Are Not My Mother (2022)

By William Bibbiani (788) for TheWrap (3,203) on 21 Mar 2022

With striking scares, moody atmosphere, and impressive performances, You Are Not My Mother gradually reveals itself to be a wicked, wicked…

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Review of The Adam Project (2022)

By Mauro_Lanari (665) on 21 Mar 2022

(Mauro Lanari) Only for those who have not yet been worn out by Levi's mercantile cunning…

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Review of Belfast (2021)

By Panchogul (602) on 21 Mar 2022

Belfast te ofrece un viaje de sinceridad, sentimientos y el reencuentro con nuestras emociones, y como tal cumple perfectamente de la mano…

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Review of The Aviator (2004)

By Kyle20Ellis (540) on 21 Mar 2022

From the talented Martin Scorsesse comes an admittedly ambitious but compelling and visually stirring biopic on legendary rebel billionaire…

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Review of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

By Kyle20Ellis (540) on 21 Mar 2022

I didn't quite understand all of the jokes, but I enjoyed this movie enormously…

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Review of Apocalypse Now (1979)

By Kyle20Ellis (540) on 21 Mar 2022

I am not completely sure whether to say this is Francis Ford Coppola's best work or not but it is up there with his best…

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Review of A Streetcar Named Desire (1951)

By Kyle20Ellis (540) on 21 Mar 2022

What can I say? A Streetcar Named Desire is a superb film, elevated especially by superb writing and performances…

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Review of Birdman or (The Unexpected Virtue of Ignorance) (2014)

By Kyle20Ellis (540) on 21 Mar 2022

Despite the near-universal acclaim from critics, 'Birdman' very much divided audiences to a quite extreme degree…

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Review of Hive (2021)

By Simran Hans (401) for The Observer (UK) (826) on 21 Mar 2022

Basholli understands that healing is possible, even if closure isn’t…

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Review of The Outfit (2022)

By Ginak (385) on 21 Mar 2022

A beautifully acted, claustrophobic film set entirely in a tailor’s shop on Savile Row in London during a single menacing afternoon…

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Review of Gone in the Night (2022)

By John Fink (368) for The Film Stage (3,162) on 21 Mar 2022

The film’s final revelations are underdeveloped and underwhelming, wrapping up events neatly in a way that lacked the humor of earlier scenes…

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Review of Paris, 13th District (2021)

By Christopher Machell (333) for CineVue (2,163) on 21 Mar 2022

Paris, 13th District is a paean to the freedoms, the heartaches and the confusion of singledom…

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