Review of Deep Water (2022) by Anthony Lane for The New Yorker — 21 Mar 2022
Toward the end, Deep Water grows less ambiguous and more conventional, but the rest of it is actually well suited to Lyne’s fetishistic style, with its succulent closeups, and the bitter memory of Glenn Close’s character—depicted as a vengeful virago—in Fatal Attraction is somewhat eased by de Armas’s willful and cheerful Melinda.
You can read the full review where it was originally posted online.
This review of Deep Water (2022) was written by Anthony Lane and published by The New Yorker on 21 Mar 2022.
Deep Water has generally received mixed reviews.
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