Review of The Outfit (2022) by Anthony Lane for The New Yorker — 21 Mar 2022
What Moore’s film strives toward, and touches only erratically, is an emotional claustrophobia to match its physical squeeze.
You can read the full review where it was originally posted online.
This review of The Outfit (2022) was written by Anthony Lane and published by The New Yorker on 21 Mar 2022.
The Outfit has generally received positive reviews.
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