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Review of Don't Look Up (2021)

By Opcb (1) on 24 Mar 2022

Self congratulatory drivel…

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Review of Mom and Dad (2018)

By Ben Croll (93) for IndieWire (3,631) on 23 Mar 2022

More than the fervid cartoon violence and Cage’s rococo line readings, the film’s greatest asset lies in its simple, cold-blooded premise…

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Review of The Lost City (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Mar 2022

The fact that “Lost City” still plays, still delivers plenty of cute and sometimes bawdy laughs amidst all the homages, tributes to and…

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Review of Apollo 10½: A Space Age Childhood (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Mar 2022

Apollo 10 1/2 might have been utterly forgettable without the rotoscoped adding of computer-painted rose-colored glasses…

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Review of Jujutsu Kaisen 0 (2021)

By Roger Moore (6,008) for Movie Nation (3,875) on 23 Mar 2022

The plot is convoluted, not the least bit inviting or deep and frankly puerile, with PG-13 violence and “darkness” draped over it…

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Review of Mothering Sunday (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 23 Mar 2022

Beautifully filmed and emotionally on-target when confined to 1924, Mothering Sunday loses its way once unmoored in time and left adrift on…

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Review of Ambulance (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 Mar 2022

For all the spectacular action set pieces, there’s something silly and tedious that sets in well before the two-hour mark. It flatlines…

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Review of The Lost City (2022)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 23 Mar 2022

Filmmakers can’t depend on funny actors to go out there cold and bring back laughs. They have to be given funny things to do…

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Review of Infinite Storm (2022)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 23 Mar 2022

At times almost too unbearably intense to watch but ultimately rewarding and with an uplifting twist, “Infinite Storm” is based on the…

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Review of The Lost City (2022)

By Ann Hornaday (1,919) for Washington Post (9,851) on 23 Mar 2022

The two actors have charisma to burn, finely tuned comic chops and the kind of smoldering physical star power that manages to look effortless…

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Review of Infinite Storm (2022)

By Michael O'sullivan (1,712) for Washington Post (9,851) on 23 Mar 2022

The film’s inertness is unexpected, and a tad disappointing, considering that first-time screenwriter Joshua Rollins has unearthed some genuinely…

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Review of The Lost City (2022)

By Katie Walsh (1,279) for Chicago Tribune (6,211) on 23 Mar 2022

This one rolls right over any doubters, powered by Bullock and Tatum, in a film that lets them play to their strengths…

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Review of The Lost City (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 23 Mar 2022

The Lost City is a big studio release playing in theaters, and for any kind of “date night,” it is a solid base hit…

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Review of The Black Windmill (1974)

By Broyax (884) on 23 Mar 2022

C’est l’élégant et déterminé Michael Caine, agent au MI-6, prêt à tout pour retrouver son fils kidnappé… Mais bien entendu, rien…

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Review of 7 Days (2021)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 23 Mar 2022

As a romantic comedy, 7 Days hardly circumvents a cinematic lexicon of time-honored tropes, but its skill in dismantling stereotypes, sexist…

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Review of The Lost City (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Mar 2022

Nothing in Lost City would really hang together without its main pair, whose chemistry movies like this inevitably live or die on…

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Review of Son of the South (2021)

By Mauro_Lanari (665) on 23 Mar 2022

(Mauro Lanari) Unexpectedly soft and beveled of dramatic peaks, it is a biopic that follows in the footsteps of the unsurpassed Mississippi…

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Review of Last Looks (2022)

By Mauro_Lanari (665) on 23 Mar 2022

(Mauro Lanari) The director focuses on the eccentric and bizarre portrayal of an ex cop, neglecting the plot that gradually swallows everything…

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Review of tick, tick... BOOM! (2021)

By Panchogul (602) on 23 Mar 2022

No me fue sencillo ver esta película porque los musicales me dan mucha pereza, pero Andrew Garfield hace un trabajo tan maravilloso que vale…

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Review of All My Friends Hate Me (2022)

By Richard Whittaker (567) for Austin Chronicle (7,653) on 23 Mar 2022

Social anxiety abounds in velvet-black British college reunion comedy All My Friends Hate Me, a seething sneer of a satire that swirls around…

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