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Review of The Exorcism of God (2022)

By Phil Hoad (110) for The Guardian (2,969) on 24 Mar 2022

Right down to its blaspheming finale, The Exorcism of God burns with a subversive desire to rip back the veil on the church’s earthly corruption…

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Review of The Lost City (2022)

By Rafael Motamayor (108) for Polygon (677) on 24 Mar 2022

The Lost City doesn’t have the most exciting or novel plot, and it doesn’t push action filmmaking forward…

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Review of Some Like It Hot (1959)

By Tonygreen (92) on 24 Mar 2022

A solid first third, a slow saggy second, and magnificent third reel…

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Review of Ambulance (2022)

By Kambole Campbell (73) for Little White Lies (3,136) on 24 Mar 2022

Ambulance is just delightfully unhinged in its experiment to see how much carnage can be caused by just one car chase…

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Review of 7 Days (2021)

By Devika Girish (70) for The New York Times (9,847) on 24 Mar 2022

7 Days takes a warm, witty look at the kinds of companionship that can emerge even — or especially — in the most unromantic, pragmatic…

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Review of Apollo 10½: A Space Age Childhood (2022)

By Trace Sauveur (69) for Austin Chronicle (7,653) on 24 Mar 2022

It may feel somewhat slight when it’s all said and done, but Apollo is packed with Linklater’s unique voice and breezy attitude that makes…

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Review of The Lost City (2022)

By Liz Shannon Miller (69) for Consequence (296) on 24 Mar 2022

Directors Adam Nee and Aaron Nee manage to find just the right balance between action, comedy, and romance to make all three work harmoniously…

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Review of Topside (2022)

By Sarah-Tai Black (68) for Los Angeles Times (12,977) on 24 Mar 2022

While Topside is without a doubt a film that lives within its own immediacy, it also feels somewhat entrenched within the hopeless inevitability…

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Review of The Sky Is Everywhere (2022)

By Exceladeogun (55) on 24 Mar 2022

The sky is everywhere The cinematography is aesthetically pleasing and well-done, from the camera twirls and zooms to the redwood trees that…

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Review of The Lost City (2022)

By Conor O'donnell (41) for The Film Stage (3,162) on 24 Mar 2022

The easy-breeziness of it all anchors this whole film’s appeal…

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Review of The Lost City (2022)

By Sarah Jane (34) for Austin Chronicle (7,653) on 24 Mar 2022

Much like a lot of fare coming out recently, The Lost City is a film you can escape your troubles with for a couple of hours…

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Review of OLIVIA RODRIGO: driving home 2 u (a SOUR film) (2022)

By Chris Azzopardi (8) for The New York Times (9,847) on 24 Mar 2022

As a performance piece, “Driving Home 2 U” is an exhilarating and intimate showcase for Rodrigo, as commentary about her album’s tracks…

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Review of Terminator 3: Rise of the Machines (2003)

By Energiye (3) on 24 Mar 2022

It works great as a parody of T2, but as a followup it's pretty disappointing…

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Review of Terminator: Dark Fate (2019)

By Energiye (3) on 24 Mar 2022

Dark Fate managed to do something I thought was impossible, to be even worse than Genisys. Deadpool was clearly a fluke…

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Review of Terminator Genisys (2015)

By Energiye (3) on 24 Mar 2022

PG-13 rating is the least of Genisys' problems. Making time travel the focus of the story was one of the worst decisions ever made…

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Review of The Adam Project (2022)

By Vjescolar (2) on 24 Mar 2022

The actors, script, CGI, and fight scenes are nice but the character development is trash. Just another feels-like-rushed movie for ADD teens…

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Review of Jackass Forever (2022)

By Zieomega (2) on 24 Mar 2022

Was a big fan from the start for real stunts. Now, a gay dick fest of stupidity…

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Review of The Witcher: Nightmare of the Wolf (2021)

By Kenzedd (2) on 24 Mar 2022

Action scenes are good. Just about everything else is dull, drawn out and has contradictory internal logic…

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Review of The Sandlot (1993)

By Goodreveiwer (1) on 24 Mar 2022

So these kids watch steal a baseball fromhis father father he hits his friends ball over a fence…

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Review of Uncharted (2022)

By Ronswanson_ (1) on 24 Mar 2022

Terrible casting, bad writing.. doesn't feel like uncharted ar all. play the game and you'll see…

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