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Review of Father Stu (2022)

By Mark Kennedy (184) for The Associated Press (882) on 12 Apr 2022

There’s always something a little off about Father Stu, a sense that the filmmakers have taken a lot of liberties with a real life to make…

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Review of The Outfit (2022)

By Josh Slater-Williams (157) for Little White Lies (3,136) on 12 Apr 2022

A chamber piece with a small, charismatic cast, in a location made vivid thanks to strong production design, would seem an ideal model for…

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Review of Funny Games (1997)

By Jebjbo (115) on 12 Apr 2022

I loved this film. I absolutely have to dig into Michael Haneke's filmography now…

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Review of Benedetta (2021)

By Hannah Strong (63) for Little White Lies (3,136) on 12 Apr 2022

The result is incendiary – a lusty romp concerning repressed desire, the seedy underbelly of organised religion and the question of whether…

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Review of Sonic the Hedgehog 2 (2022)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 12 Apr 2022

Unlike the first movie, where aspects of the video game were more seamlessly integrated into the plot, Sonic 2 relies more on generic themes…

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Review of Compartment No. 6 (2021)

By Mark Asch (48) for Little White Lies (3,136) on 12 Apr 2022

Seidi Haarla gives a winning, intelligent performance as a naturally very clever person made to feel small and helpless in a strange land…

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Review of The Raid 2 (2014)

By Maxwoo (46) on 12 Apr 2022

Maintain a high degree of production and more large martial arts scenes, while lengthening non-fighting moments, The Raid 2 has boosted the…

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Review of Meet Me in the Bathroom (2022)

By David Katz (41) for The Film Stage (3,162) on 12 Apr 2022

Meet Me in the Bathroom’s depth is so cursory it can’t quite re-convince us how significant this all seemed at the time…

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Review of A Night of Knowing Nothing (2022)

By Marina Ashioti (28) for Little White Lies (3,136) on 12 Apr 2022

Through disrupting linear time, Kapadia’s speculative, poetic rumination on memory, political reality and personal association transforms…

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Review of Prayers for the Stolen (2021)

By Marina Ashioti (28) for Little White Lies (3,136) on 12 Apr 2022

Huezo’s background as a documentary filmmaker is clear in the way this debut narrative feature so solemnly and matter-of-factly observes…

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Review of The Night House (2021)

By Augure (27) on 12 Apr 2022

This movie could have been written or directed by a women given the dubious moral which is that he was a nice husband because he lured and…

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Review of West Side Story (2021)

By Littlegizmo (25) on 12 Apr 2022

Loved it.. very beautiful and moving movie... guve me more movies like this…

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Review of Meet Me in the Bathroom (2022)

By Josiah Teal (22) for Film Threat (5,156) on 12 Apr 2022

Meet Me in the Bathroom is a moving memory of each band and their legacy in a larger musical landscape…

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Review of Meet Me in the Bathroom (2022)

By Andrew Bundy (21) for The Playlist (3,871) on 12 Apr 2022

Meet Me in the Bathroom feels like a surface-level music documentary with little mindfulness for creative expression or the shades of reality…

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Review of Moonfall (2022)

By Narwhale73 (15) on 12 Apr 2022

This movie gets too much hate…

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Review of Moonfall (2022)

By Nicocc (14) on 12 Apr 2022

What a stupid movie. I don't even know where to begin. I suppose to sum it all up: Made In China. That should tell you everything…

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Review of Maggie (2015)

By Sameirali (14) on 12 Apr 2022

I have seen a few lower ratings on the internet before watching this movie, may be that's the reason I liked this film, the expectation was…

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Review of Eyewitness (1981)

By Sameirali (14) on 12 Apr 2022

This film may not be a great crime thriller to glue to the seat…

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Review of ¡Viva Maestro! (2022)

By Amil Niazi (12) for The Globe and Mail (Toronto) (4,018) on 12 Apr 2022

It takes you on an emotional, uplifting journey across many countries and through civil unrest, with music ultimately winning out over dark…

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Review of Morbius (2022)

By 00Liteyear (9) on 12 Apr 2022

Movie was entertaining with action, but the story and conclusion was so roundabout it felt like it was dragging at times…

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