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Review of Flags of Our Fathers (2006)

By Nickthecritick (243) on 12 Apr 2022

My thoughts of this movie exactly the same as I wrote for American sniper. Too patriotism and sentimentalism for a pompous movie…

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Review of Mystic River (2003)

By Nickthecritick (243) on 12 Apr 2022

Sad, macabre and dark film at the same time. Film about unspoken words, loneliness, lies, the vicious circle of violence…

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Review of Sully (2016)

By Nickthecritick (243) on 12 Apr 2022

This is a good movie by Eastwood. A fully introspective film where the character is followed in a critical and rational way…

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Review of J. Edgar (2011)

By Nickthecritick (243) on 12 Apr 2022

A flat, boring and anonymous movie with nothing to say at all Except trying to show the usual Dicaprio in a performance perhaps even subdued…

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Review of The Mule (2018)

By Nickthecritick (243) on 12 Apr 2022

A good job by Eastwood that still surprises everyone at 90 in the double role of director-actor…

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Review of Anchorman: The Legend of Ron Burgundy (2004)

By Nickthecritick (243) on 12 Apr 2022

Will Ferrell with an over-the-top performance in this bewildering, rhythm-less comedy that could only be by McKay…

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Review of Benedetta (2021)

By John Nugent (191) for Empire (3,446) on 12 Apr 2022

A funny, filthy, iconoclastic riot…

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Review of Dual (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Gillan gets a great opportunity to show her comedic skills, and Stearns remains a solid purveyor of dark comedy, but Dual’s gloom eventually…

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Review of Cha Cha Real Smooth (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

With only two films, Raiff has proven himself to be one of the most exciting filmmakers today, telling stories that are emotionally honest…

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Review of Lucy and Desi (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Lucy and Desi isn’t breaking the mold in terms of biographical documentaries, but when put together in this package, the story of Ball and…

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Review of Jackass Forever (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Jackass Forever is ingenious, disgusting, and one of the most hysterical films you’ll see this year, while also managing to be a wonderfully…

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Review of Moonfall (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Moonfall, unfortunately, becomes a mixture of Emmerich’s usual clichés that are starting to show their age, a script that only occasionally…

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Review of Death on the Nile (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Death on the Nile might have been a long time coming, but it’s one of the most alluring mysteries in years, and a great example of how Branagh…

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Review of Kimi (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

With a great lead performance by Kravitz, a plot that—like the KIMI device itself—is persistently upgrading and shifting, and a shockingly…

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Review of I Want You Back (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

I Want You Back largely relies on the overwhelming charm of its tremendous cast, and in particular, the magnificent dynamic between Slate and…

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Review of The Sky Is Everywhere (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

The Sky Is Everywhere takes a lot of swings that miss, but the heart of the film is in the right place, and when it really works, The Sky Is…

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Review of Bigbug (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

After a decade away, Jeunet has returned to embrace all of his worst eccentricities to create an absurd mess…

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Review of Emily the Criminal (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Emily the Criminal is an excellent example of how to make an effective thriller on a smaller scale…

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Review of Meet Me in the Bathroom (2022)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

Meet Me in the Bathroom is a tremendous document of one of the most integral musical periods of our time, when the kids asked is this it…

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Review of When You Finish Saving the World (2023)

By Ross Bonaime (185) for Collider (1,032) on 12 Apr 2022

When You Finish Saving the World is often acidic to a point that might scare away some, but at its core, Eisenberg’s film is an endearing…

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Page 2,006 of 258,691

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