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Review of Our Father (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 12 May 2022

It is the siblings — their anguish and their anger, as well as the compassion they extend to one another — that drive the narrative…

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Review of Firestarter (2022)

By Jesse Hassenger (800) for Consequence (296) on 12 May 2022

Is it better for a Stephen King franchise to burn out or fade away? Firestarter manages to do both at once…

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Review of Father Stu (2022)

By Leslie Felperin (768) for The Guardian (2,969) on 12 May 2022

There are also good bits in this based-on-a-true-story drama, including the aforementioned performances and a commitment to theology so sincere…

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Review of Top Gun: Maverick (2022)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 12 May 2022

Joe Kosinski (Tron: Legacy) matches his well-established architectural precision with suitably nostalgic but never pandering emotionality,…

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Review of Top Gun: Maverick (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 May 2022

Director Joseph Kosinski (TRON: Legacy) revels in the sonic-boom rush of their many flight scenes, sending his jets swooping and spinning in…

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Review of Top Gun: Maverick (2022)

By Matt Singer (625) for ScreenCrush (954) on 12 May 2022

Top Gun: Maverick has so much fun flexing the might of its practical effects that issues like logic go right out the window…

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Review of Top Gun: Maverick (2022)

By Brian Truitt (541) for USA Today (4,117) on 12 May 2022

As insanely cool as the aerial dogfight scenes were in the original, the sequel’s action sequences levels them up with unreal camera angles…

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Review of Top Gun: Maverick (2022)

By Richard Lawson (539) for Vanity Fair (761) on 12 May 2022

Had Tom Cruise not been in the cockpit, I suspect very little of that emotional component would be so effective…

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Review of Top Gun: Maverick (2022)

By Ian Freer (515) for Empire (3,446) on 12 May 2022

Avoiding the danger zone of mere retread, Kosinski and co deliver all the Top Gun feels and then some: slick visuals, crew camaraderie, thrilling…

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Review of Hit the Road (2021)

By G. Allen Johnson (514) for San Francisco Chronicle (7,630) on 12 May 2022

Panah Panahi, making his feature debut with Hit the Road, definitely inherited his old man’s trouble-making genes…

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Review of Top Gun: Maverick (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 12 May 2022

Now that’s how you do a 1980s film sequel…

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Review of Top Gun: Maverick (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 12 May 2022

As the jets cut through the atmosphere and brush their target soils in close-shave movements—all coherently edited by Eddie Hamilton—the…

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Review of The Last Victim (2022)

By Derek Smith (382) for Slant Magazine (8,298) on 12 May 2022

Distractingly indebted to No Country for Old Men, the film’s wild tonal swings mostly leave it feeling impossibly disjointed…

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Review of Top Gun: Maverick (2022)

By Rodrigo Perez (382) for The Playlist (3,871) on 12 May 2022

As much as “Top Gun: Maverick” whips from a technical, visceral, thrill-making, supersonic-level, the entire endeavor and every little…

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Review of Top Gun: Maverick (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 12 May 2022

It’s a fresh-faced gloss on the original, in other words, powered, like the original, by a star who’ll simply never stop being a star…

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Review of Hit the Road (2021)

By Roxana Hadadi (336) for New York Magazine (Vulture) (3,519) on 12 May 2022

There is a sparseness to Hit the Road that reveals the intuitiveness of Panahi’s filmmaking, his grasp of these characters and how they tug…

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Review of Top Gun: Maverick (2022)

By Ben Kendrick (300) for Screen Rant (892) on 12 May 2022

Top Gun: Maverick is a rare sequel that is not only better than the original but retroactively makes Top Gun's story altogether deeper…

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Review of Montana Story (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 12 May 2022

The film is initially distinguished by its poetic understatement, only for it to eventually succumb to staleness…

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Review of Top Gun: Maverick (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 12 May 2022

The film fully surrenders to the grandiose fun that’s marked the best of Tom Cruise’s recent star vehicles and reaffirms Joseph Kosinski…

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Review of Top Gun: Maverick (2022)

By Jamie Graham (285) for Total Film (3,532) on 12 May 2022

No cynicism, just on-point sentiment and scintillating set-pieces…

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