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Review of Montana Story (2022)

By Manohla Dargis (1,909) for The New York Times (9,847) on 12 May 2022

When Montana Story works, you are effortlessly drawn into a world — which allows you to go with the easygoing, realist groove — even as…

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Review of Firestarter (2022)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 12 May 2022

When it’s a cautionary tale about an unusual family who’ll never know a moment’s peace because of their past choices, Firestarter is…

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Review of Jazz Fest: A New Orleans Story (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 12 May 2022

The ebullient history — which also cites on-site food tents as a mind-blowing component of the fest’s appeal — becomes tearful when Hurricane…

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Review of Top Gun: Maverick (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 12 May 2022

Thrilling, moving and gloriously Cruisey, Joseph Kosinski's sequel to the 1986 hit is unquestionably the best studio action film in years…

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Review of Everything Everywhere All at Once (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 12 May 2022

I’ve rarely felt more impaled on the fence by a film, because, exactly as promised, it’s everything at once – good and not good; fresh…

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Review of Father Stu (2022)

By Tim Robey (1,578) for The Telegraph (1,120) on 12 May 2022

The movie isn’t awful, just sapping and strained…

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Review of Top Gun: Maverick (2022)

By Peter Debruge (1,557) for Variety (12,700) on 12 May 2022

Hardly anything in Top Gun: Maverick will surprise you, except how well it does nearly all the things audiences want and expect it to do…

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Review of Top Gun: Maverick (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 12 May 2022

Thanks to Cruise and Kosinski’s unfashionable insistence on practical filmmaking and their refusal to lean too heavily on computer-generated…

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Review of Top Gun: Maverick (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 12 May 2022

Featuring a rousing finale — two of them, actually — and substantial nostalgic pleasures, the new film can’t quite balance its desire…

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Review of Monstrous (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2022

An uneven but likable horror film with one of the better plot twists in recent memory…

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Review of Our Father (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2022

It’s a deranged story, one that offers all kinds of opportunities for examining changes in the state of artificial insemination, medical…

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Review of Montana Story (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2022

It’s largely a two-character drama with two capable actors, though neither Mr. Teague nor Ms…

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Review of Our Father (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 May 2022

It’s a deranged story, one that offers all kinds of opportunities for examining changes in the state of artificial insemination, medical…

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Review of Top Gun: Maverick (2022)

By Alonso Duralde (1,351) for TheWrap (3,203) on 12 May 2022

In the end, Top Gun: Maverick counts as a worthy sequel in that it succeeds and fails in many of the same ways as the original…

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Review of Jazz Fest: A New Orleans Story (2022)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 12 May 2022

“Jazz Fest” isn’t without flavor and rhythm, but what’s lacking is the thickness…

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Review of Top Gun: Maverick (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2022

Stainless where the original was musty, neutered where the original was soft-core (there isn’t a single gratuitous shower scene in this sequel,…

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Review of Top Gun: Maverick (2022)

By Matt Donato (975) for IGN (1,013) on 12 May 2022

Top Gun: Maverick is an out-of-bounds blast of afterburner fumes and thrillseeker highs that's sure to please audiences looking for a classic…

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Review of Top Gun: Maverick (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 12 May 2022

The best thing this movie does is boost visceral analog action over the usual numbing bombardment of CG fakery, a choice fortified by having…

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Review of Top Gun: Maverick (2022)

By Brian Lowry (913) for CNN (497) on 12 May 2022

Top Gun: Maverick soars higher than it has any right to, constructing a mostly terrific sequel 36 years later (including a Covid release delay),…

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Review of Our Father (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 12 May 2022

It is the siblings — their anguish and their anger, as well as the compassion they extend to one another — that drive the narrative…

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