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Review of The Woman King (2022)

By Compi24 (1,147) on 20 Sep 2022

There's no hiding the uncomfortable truths behind some of the historical figures/groups depicted in this film and the fact that the first sentence…

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Review of Moonage Daydream (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 20 Sep 2022

What Moonage Daydream does manage to do is to share some of the adventurous spirit of its subject – a chameleon who wasn’t afraid of falling…

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Review of Bitter Moon (1992)

By Broyax (884) on 20 Sep 2022

Certes, je subodorais la daube mais à ce point, tout de même, je ne m’y attendais pas… il faut dire que c’est adapté d’un bouquin…

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Review of Blonde (2022)

By Richard Brody (868) for The New Yorker (1,837) on 20 Sep 2022

You’ve got to hand it to Dominik: he doesn’t only outdo the ostensibly crass showmen of classic Hollywood in overt artistic ambition but…

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Review of Sidney (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 20 Sep 2022

Expect a breezy affair with good-natured laughter and low stakes…

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Review of Clerks III (2022)

By Matthew Pejkovic (770) for We Got This Covered (2,391) on 20 Sep 2022

Keeping in mind that the mantra of Clerks III is to live your life with the knowledge that it is precious, don’t waste it watching Clerks III…

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Review of Blonde (2022)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 20 Sep 2022

What Ana de Armas does in Blonde is nothing short of transformative, but unfortunately, the film will likely do little to change the way people…

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Review of The Phantom of the Open (2022)

By Mauro_Lanari (665) on 20 Sep 2022

(Mauro Lanari) Pretty cute, although I think a feel-good movie based on a true story is an oxymoron…

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Review of The Forgiven (2022)

By Mauro_Lanari (665) on 20 Sep 2022

(Mauro Lanari) Why title it The Forgiven when it tells of a path of inner change of the only character with a leftist past that flows into…

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Review of Speak No Evil (2022)

By Geoff Berkshire (602) for Los Angeles Times (12,977) on 20 Sep 2022

There’s more than a whiff of both Michael Haneke and Ruben Östlund to the proceedings, except the characters never emerge as fully as they…

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Review of The Woman King (2022)

By Moviemitch96 (552) on 20 Sep 2022

Viola Davis leads a cast that depicts the Agojie, an all-female group of African warriors who defend their home and tribe from the men of the…

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Review of Don't Worry Darling (2022)

By Jake Coyle (526) for The Associated Press (882) on 20 Sep 2022

Don’t Worry Darling is ultimately neither worthy of all the off-screen fuss nor quite the on-screen disappointment it’s been made out to be…

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Review of Goodnight Mommy (2022)

By Benjamin Lee (469) for The Guardian (2,969) on 20 Sep 2022

Sobel’s direction feels a little lesser when compared with his leading lady, relying on dream sequences to push us to the edge, never getting…

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Review of Barbarian (2022)

By Bertobellamy (400) on 20 Sep 2022

Very entertaining and clever horror film with an unexpected social angle…

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Review of What's Love Got to Do with It? (2023)

By Martin Tsai (390) for TheWrap (3,203) on 20 Sep 2022

Everything about this one is lovely and magical, but it’s also deeply heartfelt…

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Review of Sidney (2022)

By Robert Daniels (336) for The Playlist (3,871) on 20 Sep 2022

Sidney functions as a loving memorial to the pioneering Black movie star who passed earlier this year, but it never suffices as more than a…

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Review of Blonde (2022)

By Clint Worthington (295) for Consequence (296) on 20 Sep 2022

Blonde is a maddening watch, a frustrating fumbling of the delicate tonal balance required to say what Dominik’s angling to say about his…

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Review of Hatching (2022)

By Xan Brooks (287) for The Observer (UK) (826) on 20 Sep 2022

Bergholm gives us precision-tooled jump scares and creeping, clammy atmospherics; a malevolent mother and an insurrectionist child…

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Review of Funny Pages (2022)

By Xan Brooks (287) for The Observer (UK) (826) on 20 Sep 2022

Funny Pages spins a hilarious tale from the fringes of the underground comics scene, powered by a wonderfully sour performance by Daniel Zolghadri…

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Review of Catherine Called Birdy (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 20 Sep 2022

Dunham has taken her oft-articulated concerns about women’s empowerment and self-determination and transported them to 13th-century England…

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