Review of Goodnight Mommy (2022) by Benjamin Lee for The Guardian — 20 Sep 2022
Sobel’s direction feels a little lesser when compared with his leading lady, relying on dream sequences to push us to the edge, never getting anywhere close to the iciness of the original or finding anything distinctive enough to separate the aesthetic of his take.
You can read the full review where it was originally posted online.
This review of Goodnight Mommy (2022) was written by Benjamin Lee and published by The Guardian on 20 Sep 2022.
Goodnight Mommy has generally received mixed reviews.
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