Browse Movie Reviews - Page 1,271 of 258,691

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Review of Smile (2022)

By Jluis_001 (2,242) on 06 Oct 2022

I don't know what worries me more…

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Review of SMILE (2022)

By Jluis_001 (2,242) on 06 Oct 2022

I don't know what worries me more…

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Review of TÁR (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 06 Oct 2022

To search the movie for a consistent argument is to miss the point and fall into a category error, misconstruing the extraordinary coup that…

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Review of Triangle of Sadness (2022)

By A.o. Scott (2,100) for The New York Times (9,847) on 06 Oct 2022

This, in the end, is a very bad movie, executed with enough visual polish and surface cleverness to fool the Cannes jurors, something Ostlund…

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Review of Lyle, Lyle, Crocodile (2022)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Oct 2022

It’s all harmless fun, containing enough mild laughs and genuinely sweet moments (if you can contain your emotions during the reunion scene…

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Review of The Redeem Team (2022)

By Glenn Kenny (1,728) for The New York Times (9,847) on 06 Oct 2022

The movie, directed by Jon Weinbach, offers several eye-opening mini-narratives on the way to a rematch with Argentina…

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Review of Hellraiser (2022)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 06 Oct 2022

As an ambitious allegory for the chaos and torment of addiction, Hellraiser works mainly because of A’zion, who gives her scattered character…

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Review of Lyle, Lyle, Crocodile (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 06 Oct 2022

The result is a movie likely to appeal as much to anyone who enjoys pop-scored animal hijinks on TikTok as to anyone who actually remembers the books…

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Review of TÁR (2022)

By Dana Stevens (1,435) for Slate (2,081) on 06 Oct 2022

Cate Blanchett’s titanic, almost fanatically well-researched performance—she switches effortlessly between English and German with a soupçon…

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Review of Lyle, Lyle, Crocodile (2022)

By Robert Abele (1,309) for TheWrap (3,203) on 06 Oct 2022

While not enough to sell Lyle, Lyle, Crocodile, Bardem’s mission to out-cartoon his animated scene partner (admittedly not difficult) still…

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Review of Hellraiser (2022)

By Brian Lowry (913) for CNN (497) on 06 Oct 2022

Hellraiser is obviously operating within fairly well-defined parameters, and leveraging 35 years of screen history, delivers on the most basic…

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Review of Armageddon Time (2022)

By Keith Uhlich (870) for Slant Magazine (8,298) on 06 Oct 2022

The film is an illustration of the transition from the ethical pliancy of youth to the moral discernment of adulthood…

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Review of Triangle of Sadness (2022)

By Richard Brody (868) for The New Yorker (1,837) on 06 Oct 2022

Only the fine cast lends life to the movie’s superficial caricatures, even if the hectic, blatant script edges the performances toward the…

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Review of Amsterdam (2022)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 06 Oct 2022

Tilt your head and you can catch the ghost of combustive screen trios past: Design for Living, Band of Outsiders, Butch Cassidy and the Sundance…

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Review of Mr. Harrigan's Phone (2022)

By Lisa Kennedy (833) for The New York Times (9,847) on 06 Oct 2022

There’s a bittersweetness to Craig and Harrigan’s friendship and good chemistry between the leads…

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Review of Triangle of Sadness (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Oct 2022

There are movies that are on-the-nose and then there is Ruben Ostlund’s Triangle of Sadness, a satire™ that is so pharyngeal that it is…

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Review of Mr. Harrigan's Phone (2022)

By William Bibbiani (788) for TheWrap (3,203) on 06 Oct 2022

It may not provide the rush of adrenaline that many people seek from their horror movies but Mr…

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Review of Triangle of Sadness (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 06 Oct 2022

Triangle hits more marks than it misses, and in a somber, often underwhelming season of would-be arthouse hits, the movie is a bona-fide trip…

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Review of Roald Dahl's Matilda the Musical (2022)

By Neil Smith (699) for Total Film (3,532) on 06 Oct 2022

A serviceable translation of a theatrical success whose weaker elements are found wherever it veers too widely from its source…

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Review of Speak No Evil (2022)

By Mauro_Lanari (665) on 06 Oct 2022

(Mauro Lanari) Civilization and Its Discontents (Freud 1929) exposed in its incompatible polarizations, as a Cliffsnotes or even worse as a…

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