Review of Triangle of Sadness (2022) by Richard Brody for The New Yorker — 06 Oct 2022
Only the fine cast lends life to the movie’s superficial caricatures, even if the hectic, blatant script edges the performances toward the clattery side and Östlund’s precise but stiff direction leaves little room for inventiveness.
You can read the full review where it was originally posted online.
This review of Triangle of Sadness (2022) was written by Richard Brody and published by The New Yorker on 06 Oct 2022.
Triangle of Sadness has generally received positive reviews.
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