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Review of The Estate (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 04 Nov 2022

Even with an embarrassingly rich cast, The Estate chokes on its own airlessness…

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Review of Soft & Quiet (2022)

By Katie Rife (451) for RogerEbert.com (5,563) on 04 Nov 2022

The film comes directly from its writer-director’s own lived experiences with racism, which gives it a rawness and an urgency that’s hard…

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Review of Till (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 04 Nov 2022

It's gut-wrenching, emotional, and worth seeing, driven by a fantastic performance from Deadwyler that is sure to bring many to tears…

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Review of Till (2022)

By Mae Abdulbaki (411) for Screen Rant (892) on 04 Nov 2022

It's gut-wrenching, emotional, and worth seeing, driven by a fantastic performance from Deadwyler that is sure to bring many to tears…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Bertobellamy (400) on 04 Nov 2022

We should praise Iñárritu daring to make a film like this, knowing that many were going to destroy it for being pretentious or insufferable…

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Review of Watcher (2022)

By Bertobellamy (400) on 04 Nov 2022

Hitchcockian thriller with a subtle yet very important feminist angle…

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Review of Weird: The Al Yankovic Story (2022)

By Nick Allen (397) for RogerEbert.com (5,563) on 04 Nov 2022

A pop music phantasmagoria that’s equally egoless and entertaining…

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Review of Enola Holmes 2 (2022)

By Metacriticonur (388) on 04 Nov 2022

Bad [ bad ] adjective, worse, worst;(Slang) bad·der, bad·dest for 36. not good in any manner or degree…

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Review of Weird: The Al Yankovic Story (2022)

By Metacriticonur (388) on 04 Nov 2022

Admirable [ ad-mer-uh-buhl ] adjective worthy of admiration; inspiring approval, reverence, or affection…

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Review of Causeway (2022)

By Chris Evangelista (306) for Slashfilm (971) on 04 Nov 2022

Watching Lawrence and Henry act off each other is what really makes Causeway worth watching…

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Review of Soft & Quiet (2022)

By Carlos Aguilar (278) for TheWrap (3,203) on 04 Nov 2022

One of the most audacious American debuts of the year, writer-director Beth de Araújo’s Soft & Quiet shocks one’s system from its opening…

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Review of You Resemble Me (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 04 Nov 2022

It has a scrappy, throat-grabbing energy and a sincerity that never feels hectoring…

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Review of The Haunting (1999)

By Hellholehorror (226) on 04 Nov 2022

Considering that this film was made during the relative infancy of CGI in movies and it uses CGI quite a lot it actually looks quite good…

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Review of The Estate (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 04 Nov 2022

The execution is where it’s lacking: the wit, the timing, the headlong comic drive, and the ability to make us laugh at actions and dialogue…

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Review of Wendell & Wild (2022)

By Stream2Bigscree (201) on 04 Nov 2022

Welcome back, Streamers. You’re fresh off of Halloween season and the last of it lingers in this post…

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Review of The Estate (2022)

By Teo Bugbee (199) for The New York Times (9,847) on 04 Nov 2022

This is a comedy that takes a vicious, over-the-top look at family greed, and fortunately, the cast members are game to play their characters’…

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Review of Weird: The Al Yankovic Story (2022)

By Dubeau (192) on 04 Nov 2022

Weird is not a bad movie but not a great one either. The story is not a biopic…

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Review of Armageddon Time (2022)

By Ross Bonaime (185) for Collider (1,032) on 04 Nov 2022

In a filmography that is full of impressive journeys through space, history, and staggering emotions, Armageddon Time feels like one of Gray’s…

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Review of Causeway (2022)

By Siddhant Adlakha (174) for IGN (1,013) on 04 Nov 2022

An otherwise plain film about an unlikely friendship between a returned soldier and a mechanic, Causeway is worth watching for Jennifer Lawrence’s…

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Review of You Resemble Me (2022)

By Lee Marshall (157) for Screen Daily (1,021) on 04 Nov 2022

It’s a strange film, one that feels its way through Hasna’s story, changing tack, trying out different methods – including the casting…

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