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Review of You Resemble Me (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 04 Nov 2022

The worlds of contemporary geopolitics and narrative independent filmmaking collide in You Resemble Me, a movie that shape-shifts from a first…

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Review of You Resemble Me (2022)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 04 Nov 2022

Despite its uneven patches, this absorbing experimental film (which includes documentary elements toward the end) seemingly conjures the voice…

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Review of I'm Totally Fine (2022)

By Lena Wilson (121) for TheWrap (3,203) on 04 Nov 2022

A stellar script and two standout performances from Jillian Bell and the sensational Natalie Morales round out this sweet little flick which,…

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Review of Soft & Quiet (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 04 Nov 2022

In depicting the rapid escalation from closeted bigotry to outright hate crime, Soft & Quiet communicates the urgency of identifying and standing…

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Review of Till (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Nov 2022

Deadwyler is simply a revelation in the role, her alternately fragile, fiery, and steely performance carrying Till through some of its biggest lulls…

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Review of One Piece Film Red (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Nov 2022

Even for those who aren't quite warm to the art style of One Piece (ie, yours truly), the film pummels you with so much color, so much style,…

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Review of Till (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 04 Nov 2022

Deadwyler is simply a revelation in the role, her alternately fragile, fiery, and steely performance carrying Till through some of its biggest lulls…

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Review of The Estate (2022)

By Chase Hutchinson (96) for Collider (1,032) on 04 Nov 2022

Though it doesn’t have the audacity to close when it should with its characters at their very lowest, The Estate is still proper fun in seeing…

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Review of Soft & Quiet (2022)

By Beatrice Loayza (94) for The New York Times (9,847) on 04 Nov 2022

The brutal possibilities of the white supremacist mind-set are nothing to shy away from…

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Review of Spiderhead (2022)

By Profamateur (71) on 04 Nov 2022

Not very good. No new ideas. Foreseeable plot…

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Review of You Resemble Me (2022)

By Devika Girish (70) for The New York Times (9,847) on 04 Nov 2022

The film needs more facts and fewer flourishes, but its closing turn to documentary footage, comprising brief snippets of interviews with Hasna’s…

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Review of I'm Totally Fine (2022)

By Gumdrop (42) on 04 Nov 2022

Holy hell this is terrible. I don't even want to waste any more of my life on this so suffice to say it's just so very very bad. You have been warned…

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Review of Weird: The Al Yankovic Story (2022)

By Gumdrop (42) on 04 Nov 2022

At no point ever have I looked at Daniel Radcliffe and thought You know who this guy reminds me of? Weird Al. And he still doesn't…

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Review of Something in the Dirt (2022)

By Marco Vito Oddo (40) for Collider (1,032) on 04 Nov 2022

Benson and Moorhead have always been able to make the most of small budgets and confined spaces…

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Review of All Quiet on the Western Front (2022)

By Filmanwalt (40) on 04 Nov 2022

I don't know the original book or previous films. The film is visualized terrifically on Netflix…

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Review of Weird: The Al Yankovic Story (2022)

By Richard Trenholm (40) for CNET (54) on 04 Nov 2022

It's worth finding the Roku remote, because Weird: The Al Yankovic Story, starring Daniel Radcliffe and Rainn Wilson, is funny as hell…

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Review of Weird: The Al Yankovic Story (2022)

By Prosmooth (37) on 04 Nov 2022

I'll say this about Weird. I'll watch this 10 more times in my life before I'll ever rewatch those Queen or Ray Charles biopics…

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Review of The Good Nurse (2022)

By Shirley Li (36) for The Atlantic (1,046) on 04 Nov 2022

Few modern true-crime movies and shows remind viewers that they have as much responsibility over their own choices as the people onscreen do…

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Review of You Resemble Me (2022)

By Joe Blessing (34) for The Playlist (3,871) on 04 Nov 2022

You Resemble Me is a challenging film that tests the limits of empathy, but one whose lessons are ignored at our own peril…

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Review of The Estate (2022)

By Fran Hoepfner (33) for TheWrap (3,203) on 04 Nov 2022

It would be one thing if the film was fully committed to its nastiness — a type of comedy we don’t see much of these days at all — but…

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