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Review of Run Sweetheart Run (2020)

By Annie Flores (1) for Austin Chronicle (7,653) on 08 Nov 2022

Borrowing tonally from the likes of Kill Bill, Jennifer’s Body and John Dies at the End, its message is strong, but, despite its merits,…

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Review of A Unicorn for Christmas (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

It’s not so much a “sweet nothing” as a “nothing nothing” of a holiday movie, bearing evidence that it’s been cut and a lot has…

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Review of Enola Holmes 2 (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

Enola Homes 2 is a proper delight, start to finish, one of the best “juvenile” entertainments of the year…

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Review of The Takeover (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

A brisk-enough but seriously formulaic Dutch thriller…

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Review of Bar Fight (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

Bar Fight! is an 84 minute long break-up “Who gets custody of ‘our‘ regular bar?” comedy that hits the wall at about the 30 minute mark…

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Review of Sam & Kate (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

As long as their are little lives worth a little intense scrutiny, there’ll be indie films like Sam & Kate, pleasant diversions that give…

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Review of The Takeover (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

A brisk-enough but seriously formulaic Dutch thriller…

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Review of All Quiet on the Western Front (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

All involved are to be commended for taking a shot at modernizing a classic novel and rendering it into another lesson that history does repeat…

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Review of The Takeover (2022)

By Roger Moore (6,008) for Movie Nation (3,875) on 07 Nov 2022

A brisk-enough but seriously formulaic Dutch thriller…

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Review of Aftersun (2022)

By Peter Travers (3,602) for ABC News (186) on 07 Nov 2022

Cheers to Scotland’s Charlotte Wells for making the best movie of the year by a first-time writer-director…

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Review of Aftersun (2022)

By Peter Travers (3,602) for ABC News (186) on 07 Nov 2022

Cheers to Scotland’s Charlotte Wells for making the best movie of the year by a first-time writer-director…

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Review of Armageddon Time (2022)

By Tvjerry (1,783) on 07 Nov 2022

Since the central character is a 12-year-old boy, you might think this film is aimed at kids, but the subject (while appropriate and timely)…

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Review of Watcher (2022)

By Wendy Ide (1,500) for The Observer (UK) (826) on 07 Nov 2022

There are few genuine surprises, perhaps, but there are distinctive elements here which set the film apart, not least the way lack of fluency…

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Review of Eternal Spring (長春) (2023)

By Tim Grierson (1,482) for Screen Daily (1,021) on 07 Nov 2022

Featuring vivid animation inspired by Daxiong’s drawings, the film is somber and hushed, able to stir emotions without resorting to manipulative…

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Review of Selena Gomez: My Mind & Me (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 07 Nov 2022

The worthwhile Selena Gomez: My Mind & Me explains much, about the star, the culture and maybe the moment…

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Review of The Fastest Woman on Earth (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 07 Nov 2022

If you are going to watch a biographical documentary, it’s not necessarily a disadvantage to go in knowing nothing at all about the story…

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Review of Clerks III (2022)

By Compi24 (1,147) on 07 Nov 2022

With Clerks III, writer-director-co-star Kevin Smith returns to the fan-favorite franchise for a send-off that's as satisfying as it is heartfelt…

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Review of Huesera: The Bone Woman (2023)

By Matt Donato (975) for IGN (1,013) on 07 Nov 2022

The horrors of childbirth become entangled in a demonic subplot as Huesera fits neatly into the list of chilling pregnancy horror tales, but…

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Review of Huesera: The Bone Woman (2023)

By Jared Mobarak (867) for The Film Stage (3,162) on 07 Nov 2022

Cervera’s feature debut is an accordingly powerful depiction of motherhood’s oft-overlooked cost…

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Review of Hellraiser (2022)

By Kim Newman (791) for Empire (3,446) on 07 Nov 2022

Not a write-off, but more like a respectful homage than a 2020s update in the manner of Candyman (2021)…

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