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Review of Both Sides of the Blade (2022)

By David Parkinson (764) for Empire (3,446) on 07 Nov 2022

Despite the almost caricatural Frenchness of the premise, this is a superbly acted and intricately directed drama that makes a virtue of its…

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Review of Eternal Spring (長春) (2023)

By Cath Clarke (570) for The Guardian (2,969) on 07 Nov 2022

This is a painful, important film, made more urgent in light of China’s tightening of religious freedoms and human rights abuses against…

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Review of All Quiet on the Western Front (2022)

By Johnny Oleksinski (478) for New York Post (6,650) on 07 Nov 2022

Based on Erich Maria Remarque’s 1929 World War I novel, the German film on Netflix is unsparing in its portrayal of the horrors of battle…

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Review of Causeway (2022)

By Bertobellamy (400) on 07 Nov 2022

Causeway' takes Jennifer Lawrence to her 'Winter's Bone' days, although the experience doesn't prove as emotional as striking as that one…

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Review of Decision to Leave (2022)

By Royalguy07 (396) on 07 Nov 2022

Wildly edited in a good way, maybe got a little confusing and contrived in the final 20 minutes, but still maintained throughout…

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Review of Who Invited Them (2022)

By Royalguy07 (396) on 07 Nov 2022

One of the breezier and easier watches I can remember at barely 1:15 total runtime…

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Review of Good Night Oppy (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 07 Nov 2022

If anything, Good Night Oppy could be nerdier, a little more in the weeds of the science that makes all of this possible…

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Review of Something in the Dirt (2022)

By K. Austin Collins (343) for Rolling Stone (4,035) on 07 Nov 2022

Ultimately, Something in the Dirt doesn’t quite convince as a genuine mystery — and it doesn’t seem to be meant to…

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Review of Watcher (2022)

By Christopher Machell (333) for CineVue (2,163) on 07 Nov 2022

Okuno’s Watcher is smart, engaging and intelligent, and it’s especially refreshing to see this sort of mid-budget, grown-up genre film…

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Review of Eternal Spring (長春) (2023)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 07 Nov 2022

Distinctively incisive on an emotional level, the film applauds the bravery of its participants to relive a painful shared trauma and create…

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Review of Next Exit (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 07 Nov 2022

If Elfman’s destination is grim, the journey she takes to get there is palliative…

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Review of Women Talking (2022)

By Alex Saveliev (258) for Film Threat (5,156) on 07 Nov 2022

Polley attempts to tackle the issue from multiple angles – how male toxicity is passed down to helpless youth by their elders, for example…

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Review of Eternal Spring (長春) (2023)

By Jude Dry (205) for IndieWire (3,631) on 07 Nov 2022

The story of Eternal Spring deserves to be told — but Loftus’ film falls victim to the kind of insidious propaganda members of Falun Gong…

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Review of Huesera: The Bone Woman (2023)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 07 Nov 2022

Dig deeper and Huesera reveals itself to be a wilier film — an astute study of desire and self-deception…

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Review of Causeway (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Nov 2022

While Lawrence and Henry imbue each scene they share with oscillating doses of humor and melancholy, the final product feels somewhat strained…

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Review of My Father's Dragon (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 07 Nov 2022

The core of the film is in Tremblay’s and Matarazzo’s portrayal of a budding friendship, and the resulting adventures that Elmer and Boris…

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Review of Rough Night (2017)

By Pan_Krytyk (83) on 07 Nov 2022

Jakiś taki dziwny.... Niby śmieszne,ale jednak żałosne... Jeżeli już totalnie nie będzie nic w tv, to może wtedy oglądajcie…

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Review of Weird: The Al Yankovic Story (2022)

By Kirkender (81) on 07 Nov 2022

If you grew up loving Weird Al, you will really enjoy this faux-biopic. It's absurd and jam packed with bits…

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Review of Causeway (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 07 Nov 2022

Understated but no less powerful for it, Causeway will remind audience what Oscar winning actors can do…

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Review of Enola Holmes 2 (2022)

By Martin Carr (79) for We Got This Covered (2,391) on 07 Nov 2022

This plucky sequel is carried on the slender shoulders of Millie Bobby Brown, who proves once and for all that she has the talent to bring…

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