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Review of Glass Onion: A Knives Out Mystery (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 21 Nov 2022

Like its precursor, Glass Onion doubles as a dazzlingly engineered gizmo and a raucous cautionary satire, with implications that billow out…

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Review of Strange World (2022)

By Peter Debruge (1,557) for Variety (12,700) on 21 Nov 2022

Great as the people and places they explore may be, however, the relatively unimaginative story consigns this gorgeous toon to second-tier…

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Review of Strange World (2022)

By Peter Debruge (1,557) for Variety (12,700) on 21 Nov 2022

Great as the people and places they explore may be, however, the relatively unimaginative story consigns this gorgeous toon to second-tier…

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Review of Bones and All (2022)

By Rex Reed (1,506) for Observer (1,042) on 21 Nov 2022

It’s a preposterous debacle that might work better as a Halloween skit on Saturday Night Live, but it takes itself seriously, which makes…

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Review of Strange World (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 21 Nov 2022

What gives Strange World some forward momentum, however, is the clear affection the filmmakers have for their characters — and that they…

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Review of Strange World (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 21 Nov 2022

What gives Strange World some forward momentum, however, is the clear affection the filmmakers have for their characters — and that they…

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Review of To the End (2022)

By Dennis Harvey (1,137) for Variety (12,700) on 21 Nov 2022

To the End keeps its large canvas entertaining and informative…

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Review of The Phantom of the Open (2022)

By Dawdlingpoet (1,123) on 21 Nov 2022

This is quite an amusing true story. I thought it was, while certainly cheesy, somewhat uplifting and charming…

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Review of White Noise (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 21 Nov 2022

Even if you grow impatient with White Noise—an intimate black comedy that dreams of becoming an epic—stick with it, for the sake of the…

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Review of White Noise (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 21 Nov 2022

Even if you grow impatient with White Noise—an intimate black comedy that dreams of becoming an epic—stick with it, for the sake of the…

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Review of Aftersun (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 21 Nov 2022

A brilliantly assured and stylistically adventurous work, this beautifully understated yet emotionally riveting coming-of-age drama picks apart…

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Review of Aftersun (2022)

By Mark Kermode (1,002) for The Observer (UK) (826) on 21 Nov 2022

A brilliantly assured and stylistically adventurous work, this beautifully understated yet emotionally riveting coming-of-age drama picks apart…

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Review of Strange World (2022)

By David Jenkins (910) for Little White Lies (3,136) on 21 Nov 2022

There’s the nagging feeling that this one is very content to rake old ground rather than search for a new way to express these important,…

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Review of Bones and All (2022)

By David Fear (910) for Rolling Stone (4,035) on 21 Nov 2022

This tender, gory trip through the guts of a nation is blessed with one of those magical instances of casting the right actor in the right…

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Review of The Menu (2022)

By David Fear (910) for Rolling Stone (4,035) on 21 Nov 2022

A movie that starts off as a scalpel-sharp satire, casually slides into becoming a skin-of-your-teeth horror film and ends as a flamebroiled…

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Review of Strange World (2022)

By David Jenkins (910) for Little White Lies (3,136) on 21 Nov 2022

There’s the nagging feeling that this one is very content to rake old ground rather than search for a new way to express these important,…

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Review of Strange World (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Nov 2022

Despite all the wonder that Strange World has going for it, the film cannot help but land with the softest of thuds…

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Review of Strange World (2022)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 21 Nov 2022

Despite all the wonder that Strange World has going for it, the film cannot help but land with the softest of thuds…

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Review of To the End (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 21 Nov 2022

Due to the fact that the canvas is broader this time around — and the subjects Lears has chosen to focus on don’t have four discreet, parallel…

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Review of Glass Onion: A Knives Out Mystery (2022)

By Todd Gilchrist (762) for The A.V. Club (5,644) on 21 Nov 2022

Like its predecessor, it’s whip-smart, joyful, and more than a little bit mischievous, yet another manipulation/reinvention of the classic…

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